Π’Π°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ Π² ΠΊΠ°ΡΠ°Π»ΠΎΠ³Π΅ Drawinks 1945 ΡΠΎΡΠΎ, Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅
Π’Π°ΡΡΠΈΡΠΎΠ²ΠΊΠ° Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ β ΠΎΡΠ»ΠΈΡΠ½ΡΠΉ Π²ΡΠ±ΠΎΡ Π΄Π»Ρ ΡΠ΅Ρ , ΠΊΡΠΎ Ρ ΠΎΡΠ΅Ρ ΡΠΊΡΡΡΡ Π²Π°ΠΆΠ½ΠΎΠ΅ Π΄Π»Ρ ΡΠ΅Π±Ρ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ ΠΎΡ ΡΡΠΆΠΈΡ Π³Π»Π°Π· ΠΈΠ»ΠΈ ΠΆΠ΅ ΡΡΡΠ΅ΠΊΡΠ½ΠΎ Π·Π°ΠΌΠ°ΡΠΊΠΈΡΠΎΠ²Π°ΡΡ Π½Π΅Π΄ΠΎΡΡΠ°ΡΠΊΠΈ ΡΠ΅Π»Π°. ΠΠΈΠΆΠ΅ Π²Ρ ΡΠ·Π½Π°Π΅ΡΠ΅ ΠΎ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΡ Π·Π½Π°ΡΠ΅Π½ΠΈΡΡ ΡΠ°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΠΈ ΡΠ°ΠΌΡΡ ΡΠ°ΡΠΏΡΠΎΡΡΡΠ°Π½Π΅Π½Π½ΡΡ Π²Π°ΡΠΈΠ°Π½ΡΠ°Ρ ΠΈΡ ΠΈΡΠΏΠΎΠ»Π½Π΅Π½ΠΈΡ.
ΠΠ½Π°ΡΠ΅Π½ΠΈΠ΅ ΡΠ°ΡΡ
Π’Π°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΠΎΠ±ΡΡΠ½ΠΎ ΠΈΠΌΠ΅Π΅Ρ ΠΏΡΠ°ΠΊΡΠΈΡΠ΅ΡΠΊΠΎΠ΅ Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅. Π‘ Π΅Π³ΠΎ ΠΏΠΎΠΌΠΎΡΡΡ ΠΏΡΠΈΠ½ΡΡΠΎ ΡΠΊΡΡΠ²Π°ΡΡ ΡΡΠ±ΡΡ ΠΈ ΡΡΠ°ΠΌΡ, ΠΎΡΡΠ°Π²ΡΠΈΠ΅ΡΡ ΠΏΠΎΡΠ»Π΅ ΡΠ΄Π°Π»Π΅Π½ΠΈΡ Π°ΠΏΠΏΠ΅Π½Π΄ΠΈΡΠΈΡΠ° ΠΈ Π΄ΡΡΠ³ΠΈΡ ΠΏΠ΅ΡΠ΅Π½Π΅ΡΠ΅Π½Π½ΡΡ ΠΎΠΏΠ΅ΡΠ°ΡΠΈΠΉ. Π’Π°ΡΡΠΈΡΠΎΠ²ΠΊΠ° Π½Π° Π±ΠΎΠΊΠ°Ρ Ρ ΠΎΡΠΎΡΠΎ ΠΌΠ°ΡΠΊΠΈΡΡΠ΅Ρ ΡΠ°ΡΡΡΠΆΠΊΠΈ ΠΈ ΠΈΠ·ΡΡΠ½Ρ ΠΊΠΎΠΆΠΈ.
Π’Π°ΡΡ Π² ΠΎΠ±Π»Π°ΡΡΠΈ ΠΆΠΈΠ²ΠΎΡΠ° ΠΌΠΎΠΆΠ΅Ρ ΠΏΠΎΠΌΠΎΡΡ ΡΠΌΠΎΠ΄Π΅Π»ΠΈΡΠΎΠ²Π°ΡΡ ΠΊΠΎΠ½ΡΡΡΡ ΡΠ΅Π»Π°. ΠΠ°ΡΠ΅ΠΌΠ½Π΅Π½ΠΈΡ ΠΏΠΎ Π±ΠΎΠΊΠ°ΠΌ Π²ΠΈΠ·ΡΠ°Π»ΡΠ½ΠΎ ΡΠΌΠ΅Π½ΡΡΠ°ΡΡ ΡΠ°Π»ΠΈΡ, ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠ° Π²Π½ΠΈΠ·Ρ ΠΆΠΈΠ²ΠΎΡΠ° Π·ΡΠΈΡΠ΅Π»ΡΠ½ΠΎ Π²ΡΡΡΠ³ΠΈΠ²Π°Π΅Ρ ΡΠΎΡΡ, Π° ΠΎΠ±ΡΠ°ΠΌΠ»ΡΡΡΠΈΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ, Π½Π°ΠΎΠ±ΠΎΡΠΎΡ, Π΅Π³ΠΎ ΡΠΊΠΎΡΠ°ΡΠΈΠ²Π°ΡΡ.
ΠΠ΅ΡΠ΅Π΄ΠΊΠΎ ΡΠ°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ Π²ΡΠΏΠΎΠ»Π½ΡΠ΅Ρ ΠΎΠ±Π΅ΡΠ΅Π³Π°ΡΡΡΡ ΡΡΠ½ΠΊΡΠΈΡ. ΠΡΠΎ-ΡΠΎ Π²Π΅ΡΠΈΡ Π² ΡΠΎ, ΡΡΠΎ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ Π² Π²ΠΈΠ΄Π΅ ΠΊΡΠ΅ΡΡΠ°, ΡΡΠ½ ΠΈΠ»ΠΈ Π³Π»Π°Π·, Π½Π°Π±ΠΈΡΠΎΠ΅ Π² Π·ΠΎΠ½Π΅ ΠΆΠΈΠ²ΠΎΡΠ°, Π·Π°ΡΠΈΡΠΈΡ Π΅Π³ΠΎ ΠΎΡ ΡΠ³Π»Π°Π·Π°, ΠΏΡΠΈΠ½Π΅ΡΠ΅Ρ ΡΠ΄Π°ΡΡ Π² Π»ΠΈΡΠ½ΠΎΠΉ ΠΆΠΈΠ·Π½ΠΈ ΠΈ ΠΏΠΎΡΠΏΠΎΡΠΎΠ±ΡΡΠ²ΡΠ΅Ρ ΡΡΠΏΠ΅Ρ Ρ Π² ΠΊΠ°ΡΡΠ΅ΡΠ½ΠΎΠΌ ΠΏΠ»Π°Π½Π΅.
ΠΠ΅Π²ΡΡΠΊΠΈ, ΠΊΠΎΡΠΎΡΡΠ΅ Π΄Π΅Π»Π°ΡΡ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅, ΠΎΠ±ΡΡΠ½ΠΎ ΠΏΡΡΠ°ΡΡΡΡ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠ½ΡΡΡ ΡΠ²ΠΎΡ ΠΆΠ΅Π½ΡΡΠ²Π΅Π½Π½ΠΎΡΡΡ ΠΈ ΡΠ΅ΠΊΡΡΠ°Π»ΡΠ½ΠΎΡΡΡ. ΠΠ°Π±ΠΈΠ²Π°Ρ ΡΠ°ΡΡ Π² ΡΠ°ΠΉΠΎΠ½Π΅ Π½ΠΈΠΆΠ½ΠΈΡ ΡΠ΅Π±Π΅Ρ, ΠΏΡΠ΅Π΄ΡΡΠ°Π²ΠΈΡΠ΅Π»ΠΈ ΡΠΈΠ»ΡΠ½ΠΎΠ³ΠΎ ΠΏΠΎΠ»Π°, Π½Π°ΠΎΠ±ΠΎΡΠΎΡ, Ρ ΠΎΡΡΡ ΠΏΡΠΎΠ΄Π΅ΠΌΠΎΠ½ΡΡΡΠΈΡΠΎΠ²Π°ΡΡ ΡΠ²ΠΎΡ ΠΌΡΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΡΡΡ.
ΠΠ΅Π²ΡΡΠΊΠΈ ΠΏΡΠ΅Π΄ΠΏΠΎΡΠΈΡΠ°ΡΡ Π½Π°Π±ΠΈΠ²Π°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ Π½Π΅ΠΆΠ½ΡΠ΅ ΡΠ²Π΅ΡΠ½ΡΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ, Π΄Π΅Π»Π°Ρ ΡΠΏΠΎΡ Π½Π° ΡΠ²ΠΎΠ΅ΠΉ ΠΈΠ³ΡΠΈΠ²ΠΎΡΡΠΈ ΠΈ ΡΠΎΠΌΠ°Π½ΡΠΈΡΠ½ΠΎΡΡΠΈ. ΠΡΠ΅Π΄ΡΡΠ°Π²ΠΈΡΠ΅Π»ΡΠ½ΠΈΡΡ ΠΆΠ΅Π½ΡΠΊΠΎΠ³ΠΎ ΠΏΠΎΠ»Π° ΠΊΡΠ°ΠΉΠ½Π΅ ΡΠ΅Π΄ΠΊΠΎ Π²ΡΠ±ΠΈΡΠ°ΡΡ Π΄Π»Ρ ΡΠ΅Π±Ρ ΡΡΠΊΠΈΠ·Ρ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΎΠΊ Ρ ΠΎΡΡΠΆΠΈΡΠΌΠΈ ΠΈΠ»ΠΈ ΡΠ΅ΡΠ΅ΠΏΠ°ΠΌΠΈ.
Π ΡΠ°ΠΌΠΎΠΉ Π½ΠΈΠΆΠ½Π΅ΠΉ ΡΠ°ΡΡΠΈ ΠΆΠΈΠ²ΠΎΡΠ° ΠΏΡΠΈΠ½ΡΡΠΎ Π΄Π΅Π»Π°ΡΡ Π½Π΅Π±ΠΎΠ»ΡΡΠΈΠ΅ Π½Π°Π΄ΠΏΠΈΡΠΈ ΠΈ ΡΠΈΠΌΠ²ΠΎΠ»ΠΈΡΠ½ΡΠ΅ ΡΠ·ΠΎΡΡ. ΠΠ°Π»Π΅Π½ΡΠΊΠΈΠ΅ ΠΈΠ·ΡΡΠ½ΡΠ΅ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠΈ Π² ΡΡΠΎΠΉ ΠΎΠ±Π»Π°ΡΡΠΈ Π²ΡΠ³Π»ΡΠ΄ΡΡ Π»ΡΡΡΠ΅ Π²ΡΠ΅Π³ΠΎ. ΠΡΠΎ ΠΌΠΎΠ³ΡΡ Π±ΡΡΡ ΡΠ΅ΡΠ΄Π΅ΡΠΊΠΈ, ΡΠ²Π΅ΡΠΎΡΠΊΠΈ, Π·Π²Π΅Π·Π΄ΠΎΡΠΊΠΈ, ΠΆΠΈΠ²ΠΎΡΠ½ΡΠ΅, ΠΏΡΠΈΡΡ, Π³Π΅ΡΠΎΠΈ ΠΌΡΠ»ΡΡΡΠΈΠ»ΡΠΌΠΎΠ².
ΠΠ΅Π²ΡΡΠΊΠΈ Π»ΡΠ±ΡΡ Π΄Π΅Π»Π°ΡΡ ΠΏΠΎ Π΄Π²Π΅ ΡΠΈΠΌΠΌΠ΅ΡΡΠΈΡΠ½ΡΠ΅ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠΈ: ΠΎΠ΄Π½Ρ ΠΎΠ½ΠΈ ΡΠ°ΡΠΏΠΎΠ»Π°Π³Π°ΡΡ Ρ ΠΏΡΠ°Π²ΠΎΠΉ, Π° Π΄ΡΡΠ³ΡΡ ΠΏΠΎΠΌΠ΅ΡΠ°ΡΡ Ρ Π»Π΅Π²ΠΎΠΉ ΡΡΠΎΡΠΎΠ½Ρ ΠΆΠΈΠ²ΠΎΡΠ°, Π±Π»ΠΈΠΆΠ΅ ΠΊ ΡΠ΅Π±ΡΠ°ΠΌ. ΠΡΠΎ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ Π½Π°Π΄ΠΏΠΈΡΡ, ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ ΠΆΠΈΠ²ΠΎΡΠ½ΠΎΠ³ΠΎ ΠΈΠ»ΠΈ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΡΠΉ ΡΠ·ΠΎΡ.
ΠΡΠΎΠ±ΠΎ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΠΌ ΠΌΠ΅ΡΡΠΎΠΌ Π΄Π»Ρ ΡΠ°Π·ΠΌΠ΅ΡΠ΅Π½ΠΈΡ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠΈ Ρ Π΄Π΅Π²ΡΡΠ΅ΠΊ ΡΡΠΈΡΠ°Π΅ΡΡΡ ΠΎΠ±Π»Π°ΡΡΡ Π²ΠΎΠΊΡΡΠ³ ΠΏΡΠΏΠΊΠ°. ΠΠ±ΡΡΠ½ΠΎ Π΅Π΅ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°ΡΡ ΡΠΏΠ΅ΡΠΈΡΠΈΡΠ½ΡΠΌΠΈ ΡΠ·ΠΎΡΠ°ΠΌΠΈ, ΠΈΠΌΠΈΡΠ°ΡΠΈΠ΅ΠΉ ΡΠΊΡΠ°ΡΠ΅Π½ΠΈΠΉ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ, ΡΠ°ΡΡ Π² Π²ΠΈΠ΄Π΅ ΡΠ΅ΠΏΠΎΡΠΊΠΈ), ΡΠ²Π΅ΡΠΎΡΠ½ΡΠΌΠΈ ΠΎΡΠ½Π°ΠΌΠ΅Π½ΡΠ°ΠΌΠΈ.
ΠΡΠΆΡΠΈΠ½Ρ Π»ΡΠ±ΡΡ Π½Π°Π±ΠΈΠ²Π°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΡΠΌΠΎΡΠΈΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΊΠ°ΡΡΠΈΠ½ΠΊΠΈ, ΠΈ
ΡΠΎΡΠΎ ΡΠ°ΡΡ, ΡΡΠΊΠΈΠ·Ρ ΠΈ ΠΏΠΎΡΡΡΠΎΠ»ΠΈΠΎ ΡΠ°Π±ΠΎΡ
Π’Π°ΡΡΠΈΡΠΎΠ²ΠΊΠ° Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ β Π½Π°ΡΠ΅Π»ΡΠ½ΠΎΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅, ΠΊΠΎΡΠΎΡΠΎΠ΅ Π²ΠΈΠ΄Π½ΠΎ ΠΎΠΊΡΡΠΆΠ°ΡΡΠΈΠΌ ΠΏΡΠΈ ΠΎΡΡΡΡΡΡΠ²ΠΈΠΈ ΠΎΠ΄Π΅ΠΆΠ΄Ρ. Π’Π°ΠΊΠΎΠΉ ΡΠΈΡΡΠ½ΠΎΠΊ Π½Π΅ ΡΠΌΠΎΠΆΠ΅Ρ ΠΏΠΎΠΌΠ΅ΡΠ°ΡΡ Π½Π° ΡΠΎΠ±Π΅ΡΠ΅Π΄ΠΎΠ²Π°Π½ΠΈΠΈ ΠΈ Π½Π΅ ΡΠΎΠΊΠΈΡΡΠ΅Ρ Π² ΠΎΠ±ΡΡΠ½ΠΎΠΉ ΠΎΠ±ΡΡΠ°Π½ΠΎΠ²ΠΊΠ΅ ΠΎΠΊΡΡΠΆΠ°ΡΡΠΈΡ Ρ ΠΊΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½ΡΠΌΠΈ Π²Π·Π³Π»ΡΠ΄Π°ΠΌΠΈ. ΠΠ°ΡΠΎ Π½Π° ΠΏΠ»ΡΠΆΠ΅, Π² Π±Π°ΡΡΠ΅ΠΉΠ½Π΅ ΠΈΠ»ΠΈ ΡΠΏΠΎΡΡΠΈΠ²Π½ΠΎΠΌ Π·Π°Π»Π΅ ΡΠ°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ Π½Π΅ΠΏΡΠ΅ΠΌΠ΅Π½Π½ΠΎ ΠΏΡΠΈΠ²Π»Π΅ΡΠ΅Ρ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ ΠΎΠΊΡΡΠΆΠ°ΡΡΠΈΡ . ΠΠ»Ρ ΠΆΠ΅Π½ΡΠΈΠ½ ΠΏΠΎΡΠ»Π΅ ΡΠΎΠ΄ΠΎΠ² ΡΠ°ΠΊΠΎΠΉ Π½Π°ΡΠ΅Π»ΡΠ½ΡΠΉ ΡΠΈΡΡΠ½ΠΎΠΊ ΠΏΠΎΠ·Π²ΠΎΠ»ΠΈΡ ΡΠΊΡΡΡΡ ΡΠ°ΡΡΡΠΆΠΊΠΈ ΠΈΠ»ΠΈ ΡΡΠ°ΠΌ ΠΏΠΎΡΠ»Π΅ ΠΊΠ΅ΡΠ°ΡΠ΅Π²Π° ΡΠ΅ΡΠ΅Π½ΠΈΡ.
Π Π°Π±ΠΎΡΡ Π½Π°ΡΠΈΡ ΠΌΠ°ΡΡΠ΅ΡΠΎΠ²
ΠΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΎΠΊ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅
ΠΠ° ΠΆΠΈΠ²ΠΎΡΠ΅ ΡΡΡΠ΅ΡΡΠ²ΡΠ΅Ρ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ ΠΌΠ΅ΡΡ, ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΡ Π΄Π»Ρ Π½Π°Π±ΠΈΠ²ΠΊΠΈ ΡΠ°ΡΡ:- ΠΠ° ΡΡΠ°ΠΌΠ°Ρ ΠΈ ΡΠ°ΡΡΡΠΆΠΊΠ°Ρ . Π‘ΠΊΡΡΡΠΎ ΠΏΠΎΡΠ»Π΅ΠΎΠΏΠ΅ΡΠ°ΡΠΈΠΎΠ½Π½ΡΠ΅ ΡΡΠ±ΡΡ ΠΈ ΡΠ°ΡΡΡΠΆΠΊΠΈ ΠΏΠΎΠΌΠΎΠ³ΡΡ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ Π±Π°Π±ΠΎΡΠ΅ΠΊ, Π΄ΡΠ°Π³ΠΎΡΠ΅Π½Π½ΡΡ ΠΊΠ°ΠΌΠ½Π΅ΠΉ, ΡΠ»Π΅Π΄ΠΎΠ² ΠΎΡ ΠΊΠΎΠ³ΡΠ΅ΠΉ ΠΈΠ»ΠΈ Π»Π°ΠΏ.
- Π‘Π±ΠΎΠΊΡ ΠΆΠΈΠ²ΠΎΡΠ°. ΠΠ΄Π΅ΡΡ ΠΈΠΌΠ΅Π΅ΡΡΡ ΠΌΠ½ΠΎΠ³ΠΎ ΡΠ²ΠΎΠ±ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΠΌΠ΅ΡΡΠ°, Π½Π° ΠΊΠΎΡΠΎΡΠΎΠΌ ΠΌΠΎΠΆΠ½ΠΎ ΡΠ°ΡΠΏΠΎΠ»ΠΎΠΆΠΈΡΡ ΠΊΡΡΠΏΠ½ΠΎΠ³Π°Π±Π°ΡΠΈΡΠ½ΡΠ΅ Π΄Π΅ΡΠ°Π»ΠΈΠ·ΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΠΈΡΡΠ½ΠΊΠΈ. ΠΠΎΠΏΡΠ»ΡΡΠ½ΡΠ΅ ΠΆΠ΅Π½ΡΠΊΠΈΠ΅ ΡΡΠΆΠ΅ΡΡ Π΄Π»Ρ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΎΠΊ, ΡΠ°ΡΠΏΠΎΠ»ΠΎΠΆΠ΅Π½Π½ΡΡ ΡΠ±ΠΎΠΊΡ ΠΆΠΈΠ²ΠΎΡΠ°, β ΡΠ²Π΅ΡΠΎΡΠ½ΡΠ΅ ΠΌΠΎΡΠΈΠ²Ρ, Π΄Π΅ΡΠ΅Π²ΡΡ Ρ ΠΊΡΠ°ΡΠΈΠ²ΡΠΌΠΈ ΠΊΡΠΎΠ½Π°ΠΌΠΈ, ΠΆΠ°Ρ-ΠΏΡΠΈΡΠ° Ρ ΡΠ°ΡΠΏΡΠ°Π²Π»Π΅Π½Π½ΡΠΌΠΈ ΠΊΡΡΠ»ΡΡΠΌΠΈ. ΠΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ ΠΎΠ±ΡΡΠ½ΠΎ Π΄Π΅Π»Π°ΡΡ ΡΡΠΊΠΈΠΌΠΈ, ΠΌΠ½ΠΎΠ³ΠΎΡΠ²Π΅ΡΠ½ΡΠΌΠΈ. ΠΡΡΠ΅ΠΊΡΠ½ΠΎ ΡΠΌΠΎΡΡΡΡΡΡ Π»ΠΎΡΠΎΡΡ, ΠΎΡΡ ΠΈΠ΄Π΅ΠΈ, ΡΠ²Π΅ΡΡΡΠΈΠ΅ Π²Π΅ΡΠΊΠΈ ΡΠ°ΠΊΡΡΡ. Π ΠΌΡΠΆΡΠΈΠ½Ρ, ΠΈ ΠΆΠ΅Π½ΡΠΈΠ½Ρ ΠΌΠΎΠ³ΡΡ Π²ΡΠ±ΡΠ°ΡΡ ΠΏΠΈΡΡΠΎΠ»Π΅ΡΡ, ΡΠΈΠΌΠ²ΠΎΠ»ΠΈΡΠ½ΠΎ Π·Π°ΡΠΈΡΠ°ΡΡΠΈΠ΅ Π²Π»Π°Π΄Π΅Π»ΡΡΠ° ΡΠ°ΡΡ ΠΎΡ Π²ΡΠ°Π³ΠΎΠ².
- ΠΠ½ΠΈΠ·Ρ ΠΆΠΈΠ²ΠΎΡΠ°. ΠΠΎΠΏΡΠ»ΡΡΠ½ΡΠΉ ΡΡΠΆΠ΅Ρ ΠΌΡΠΆΡΠΊΠΈΡ ΠΈ ΠΆΠ΅Π½ΡΠΊΠΈΡ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΎΠΊ, ΡΠ°ΡΠΏΠΎΠ»ΠΎΠΆΠ΅Π½Π½ΡΡ Π²Π½ΠΈΠ·Ρ ΠΆΠΈΠ²ΠΎΡΠ°, β Π½Π°Π΄ΠΏΠΈΡΠΈ Π½Π° Π»Π°ΡΡΠ½ΠΈ ΠΈΠ»ΠΈ Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌ ΡΠ·ΡΠΊΠ΅, Π³ΠΎΠ΄ ΡΠΎΠΆΠ΄Π΅Π½ΠΈΡ, ΠΏΡΠΈΡΡ. ΠΠ΅Π²ΡΡΠΊΠΈ ΠΌΠΎΠ³ΡΡ Π²ΡΠ±ΡΠ°ΡΡ ΠΏΠ΅ΡΡΡ, ΠΊΠΎΡΠ΅ΠΊ, Π³ΡΠ±Ρ, Π²ΠΈΡΠ΅Π½ΠΊΠΈ ΠΈ Π΄ΡΡΠ³ΠΈΠ΅ ΡΠ³ΠΎΠ΄Ρ. ΠΡΠΆΡΠΊΠΈΠ΅ ΡΡΠΆΠ΅ΡΡ ΡΠ°ΡΡ Π²Π½ΠΈΠ·Ρ ΠΆΠΈΠ²ΠΎΡΠ° β ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ ΠΎΡΠ»Π°, ΡΠΊΠΎΡΠΏΠΈΠΎΠ½Π°, Π³ΠΎΠ»ΠΎΠ²Ρ ΠΌΠ΅Π΄Π²Π΅Π΄Ρ.
Π’Π°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ Π΄Π»Ρ Π΄Π΅Π²ΡΡΠ΅ΠΊ
Π’Π°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΠΌΡΠΆΡΠΊΠΈΠ΅
Π’Π°ΡΡ Π½Π°Π΄ΠΏΠΈΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅
Π’Π°ΡΡ ΡΠ²Π΅ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅
Π’Π°ΡΡ Π·ΠΌΠ΅Ρ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅
Π’Π°ΡΡΠΈΡΠΎΠ²ΠΊΠΈ Π½Π° Π³ΠΎΠ»Π΅Π½ΠΈ ΠΎΡ ΠΌΠ°ΡΡΠ΅ΡΠΎΠ² ΡΡΡΠ΄ΠΈΠΈ West End
ΠΠ°ΡΠΈ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΈ ΠΏΠΎΠΌΠΎΠ³ΡΡ Π²Π°ΠΌ ΠΏΠΎΠ΄ΠΎΠ±ΡΠ°ΡΡ ΡΡΠΆΠ΅Ρ, ΡΡΠΈΠ»Ρ ΠΈ ΡΠ²Π΅ΡΠΎΠ²ΠΎΠ΅ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅, ΠΎΠΏΡΠΈΠΌΠ°Π»ΡΠ½ΠΎ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΡΡΠΈΠ΅ ΠΊ Π²Π°ΡΠ΅ΠΉ Π²Π½Π΅ΡΠ½ΠΎΡΡΠΈ, ΡΠ΅Π»ΠΎΡΠ»ΠΎΠΆΠ΅Π½ΠΈΡ. ΠΡ ΡΠΌΠΎΠΆΠ΅ΡΠ΅ Π·Π°ΠΊΠ°Π·Π°ΡΡ ΡΠ°Π·ΡΠ°Π±ΠΎΡΠΊΡ ΡΡΠΊΠΈΠ·Π° ΠΌΠ°ΡΡΠ΅ΡΡ ΠΈΠ»ΠΈ ΠΏΡΠΈΠ½Π΅ΡΡΠΈ ΡΠ²ΠΎΠΉ ΡΠΈΡΡΠ½ΠΎΠΊ. Π Π»ΡΠ±ΠΎΠΌ ΡΠ»ΡΡΠ°Π΅ ΡΠ΅Π·ΡΠ»ΡΡΠ°Ρ Π±ΡΠ΄Π΅Ρ ΡΠ°Π΄ΠΎΠ²Π°ΡΡ Π²Π°Ρ Π΄ΠΎΠ»Π³ΠΈΠ΅ Π³ΠΎΠ΄Ρ. ΠΡΠ΅ ΠΏΡΠΎΡΠ΅Π΄ΡΡΡ ΠΌΠ°ΡΡΠ΅ΡΠ° Π²ΡΠΏΠΎΠ»Π½ΡΡΡ Π² ΡΡΠ»ΠΎΠ²ΠΈΡΡ ΠΏΠΎΠ»Π½ΠΎΠΉ ΡΡΠ΅ΡΠΈΠ»ΡΠ½ΠΎΡΡΠΈ.ΠΡΡΠ³ΠΈΠ΅ Π½Π°ΡΠΈ ΡΠ°Π±ΠΎΡΡ
Β
ΠΠ΅Π»Π΅Π³ΠΊΠ°Ρ Π·Π°Π΄Π°ΡΠ° Π΄Π»Ρ ΡΠ°ΡΡ-ΠΌΠ°ΡΡΠ΅ΡΠ°. ΠΡΠΎ Π½Π°ΠΊΠΎΠ»ΠΊΠΈ Π² ΠΎΠ±Π»Π°ΡΡΠΈ ΠΆΠΈΠ²ΠΎΡΠ°. ΠΠ΄Π΅ΡΡ Π»ΠΈΡΡ ΠΌΡΠ³ΠΊΠΈΠ΅ ΡΠΊΠ°Π½ΠΈ, ΠΊΠΎΡΡΠΈ ΡΠ΄Π°Π»Π΅Π½Ρ ΠΎΡ Π½ΠΈΡ . ΠΡΠ΅ ΡΡΠΎ Π»ΠΈΡΠ°Π΅Ρ ΠΊΠΎΠΆΡ Π½Π°ΡΡΠΆΠ΅Π½ΠΈΡ. Π ΠΈΡΠΎΠ³Π΅, Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΈ Ρ ΡΡΡΠ΄ΠΎΠΌ ΡΠ΄Π΅ΡΠΆΠΈΠ²Π°ΡΡ ΠΏΠΎΠΊΡΠΎΠ²Ρ ΠΎΡ ΠΏΡΠΎΠ΄Π°Π²Π»ΠΈΠ²Π°Π½ΠΈΡ, ΡΠ°Π±ΠΎΡΠ°Ρ ΠΌΠ΅Π΄Π»Π΅Π½Π½ΠΎ.
ΠΡΠΎΠ±Π΅Π½Π½ΠΎ ΡΡΠΆΠ΅Π»ΠΎ Π΄Π°ΡΡΡΡ ΡΠΈΡΡΠ½ΠΊΠΈ Ρ ΠΎΠ±ΠΈΠ»ΠΈΠ΅ΠΌ Π΄Π΅ΡΠ°Π»Π΅ΠΉ, ΠΊΡΡΠΏΠ½ΡΠ΅ ΠΊΠ°ΡΡΠΈΠ½Ρ. Π’Π°ΠΊ ΡΡΠΎ, Π΄Π΅Π»Π°ΡΡ ΡΠ°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΡΡΠΎΠΈΡ Π΄ΠΎΠ²Π΅ΡΠΈΡΡ Π»ΠΈΡΡ ΠΎΠΏΡΡΠ½ΠΎΠΌΡ ΠΌΠ°ΡΡΠ΅ΡΡ, ΡΠΏΠΎΡΠΎΠ±Π½ΠΎΠΌΡ ΡΠΎΠ±Π»ΡΡΡΠΈ ΡΠ΅ΡΠΊΠΎΡΡΡ ΠΈ Π½ΡΠ°Π½ΡΡ ΡΡΠΊΠΈΠ·Π°. ΠΡ ΡΡΠΈΡ Π½ΡΠ°Π½ΡΠΎΠ², ΠΊΡΡΠ°ΡΠΈ, Π½Π΅ΡΠ΅Π΄ΠΊΠΎ Π·Π°Π²ΠΈΡΠΈΡ Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅ Π½Π°ΠΊΠΎΠ»ΠΊΠΈ.
ΠΠ½Π°ΡΠ΅Π½ΠΈΠ΅ ΡΠ°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅
ΠΡΠ°ΠΊΡΠΈΡΠ΅ΡΠΊΠΎΠ΅ Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅ ΠΈΠΌΠ΅Π΅Ρ ΡΠ°ΡΡ Π½Π° ΡΡΠ°ΠΌΠ°Ρ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅. Π’Π°ΠΊΠΎΠΉ ΡΠΈΡΡΠ½ΠΎΠΊ ΠΈΠΌΠ΅Π΅ΡΡΡ, ΠΊ ΠΏΡΠΈΠΌΠ΅ΡΡ, Ρ ΠΠ΅ΡΡ ΠΡΠ΅ΠΆΠ½Π΅Π²ΠΎΠΉ. Π ΡΠ½ΠΎΡΡΠΈ ΠΏΠ΅Π²ΠΈΡΠ΅ ΡΠ΄Π°Π»ΠΈΠ»ΠΈ Π°ΠΏΠΏΠ΅Π½Π΄ΠΈΡΠΈΡ. ΠΡΡΠ°Π»ΡΡ ΡΡΠ±Π΅Ρ, ΠΊΠΎΡΠΎΡΡΠΉ Π°ΡΡΠΈΡΡΠΊΠ° ΠΏΠ΅ΡΠ΅ΠΊΡΡΠ»Π° Π°Π»ΡΠΌ ΡΠ΅ΡΠ΄Π΅ΡΠΊΠΎΠΌ. ΠΠ³ΡΠΈΠ²ΠΎΠ΅, ΡΠΎΠΌΠ°Π½ΡΠΈΡΠ½ΠΎΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ ΠΠ΅ΡΠ° Π΄Π΅ΠΌΠΎΠ½ΡΡΡΠΈΡΡΠ΅Ρ ΡΠ΅Π΄ΠΊΠΎ. ΠΠΎΠ½Π° Π½Π°Π½Π΅ΡΠ΅Π½ΠΈΡ Π±Π»ΠΈΠ·ΠΊΠ° ΠΊ ΠΈΠ½ΡΠΈΠΌΠ½ΠΎΠΉ ΠΎΠ±Π»Π°ΡΡΠΈ. ΠΠΈΡΡ Π½Π΅ΠΊΠΎΡΠΎΡΡΠ΅ ΠΊΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠ΅ ΠΊΠΎΡΡΡΠΌΡ Π΅Π΅ ΠΏΡΠΈΠΎΡΠΊΡΡΠ²Π°ΡΡ.
Π‘ ΠΏΠΎΠΌΠΎΡΡΡ ΡΠ°ΡΡ Π²Π½ΠΈΠ·Ρ ΠΆΠΈΠ²ΠΎΡΠ°, ΠΏΠΎ Π΅Π³ΠΎ Π±ΠΎΠΊΠ°ΠΌ, ΠΏΡΠΈΠ½ΡΡΠΎ ΡΠΊΡΡΠ²Π°ΡΡ ΠΈ ΡΠ°ΡΡΡΠΆΠΊΠΈ. ΠΠ½ΠΈ Π±ΡΠ²Π°ΡΡ ΠΈ Ρ ΠΌΡΠΆΡΠΈΠ½, ΠΈ Ρ ΠΆΠ΅Π½ΡΠΈΠ½. ΠΠΎΡΠ»Π΅Π΄Π½ΠΈΠ΅, ΠΊΠ°ΠΊ ΠΏΡΠ°Π²ΠΈΠ»ΠΎ, ΠΏΠΎΡΡΡΡ ΠΊΠΎΠΆΡ Π²ΠΎ Π²ΡΠ΅ΠΌΡ Π±Π΅ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΡΡΠΈ. Π Π°ΡΡΡΠΆΠΊΠΈ Π΄ΠΆΠ΅Π½ΡΠ»ΡΠΌΠ΅Π½ΠΎΠ² β ΠΏΠΎΡΠ»Π΅Π΄ΡΡΠ²ΠΈΠ΅ ΡΠ΅Π·ΠΊΠΎΠ³ΠΎ Π½Π°Π±ΠΎΡΡ Π²Π΅ΡΠ°. Π ΠΈΡΡΠ½ΠΊΠΈ Π½Π° ΠΏΠΎΠ²ΡΠ΅ΠΆΠ΄Π΅Π½Π½ΡΡ Π·ΠΎΠ½Π°Ρ ΡΠΊΡΡΠ²Π°ΡΡ Π½Π΅Π΄ΠΎΡΠ΅ΡΡ ΠΊΠΎΠΆΠΈ. ΠΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎ ΡΠ°ΡΠΏΠΎΠ»ΠΎΠΆΠ΅Π½Π½ΡΠ΅ ΡΠ·ΠΎΡΡ ΡΠΏΠΎΡΠΎΠ±Π½Ρ Π΅ΡΠ΅ ΠΈ ΡΠΌΠΎΠ΄Π΅Π»ΠΈΡΠΎΠ²Π°ΡΡ ΠΊΠΎΠ½ΡΡΡΡ ΡΠ΅Π»Π°.
Π’Π°ΠΊ, Π·Π°ΡΠ΅ΠΌΠ½Π΅Π½ΠΈΡ ΠΏΠΎ Π±ΠΎΠΊΠ°ΠΌ ΡΠ°Π»ΠΈΠΈ Π·ΡΠΈΡΠ΅Π»ΡΠ½ΠΎ Π΄Π΅Π»Π°ΡΡ Π΅Π΅ ΡΠΆΠ΅. Π’Π°ΡΡ Π²Π½ΠΈΠ·Ρ Π²ΠΈΠ·ΡΠ°Π»ΡΠ½ΠΎ Π²ΡΡΡΠ³ΠΈΠ²Π°ΡΡ ΡΠΎΡΡ, Π° ΠΎΠ±ΡΠ°ΠΌΠ»ΡΡΡΠΈΠ΅ ΠΊΠ°ΡΡΠΈΠ½ΠΊΠΈ β ΡΠΊΠΎΡΠ°ΡΠΈΠ²Π°ΡΡ. ΠΡΠΈΠ΅ΠΌ ΠΌΠΎΠ΄Π΅Π»ΠΈΡΠΎΠ²Π°Π½ΠΈΡ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΎΡΠΊΡΠΎΠ²Π΅Π½Π½ΡΠΌ, ΠΎΡΡΠ°ΡΡΠΈ ΡΠΌΠΎΡΠΈΡΡΠΈΡΠ΅ΡΠΊΠΈΠΌ. Π ΠΏΡΠΈΠΌΠ΅ΡΡ, ΠΌΡΠΆΡΠΈΠ½Ρ Ρ ΠΏΡΠ·ΠΈΠΊΠ°ΠΌΠΈ Π½Π΅ΠΏΡΠΎΡΡ Π½Π°Π±ΠΈΡΡ Π½Π° Π½Π΅ΠΌ ΠΊΡΠ±ΠΈΠΊΠΈ ΠΏΡΠ΅ΡΡΠ°. Π ΠΈΠ½ΡΠ΅ΡΠ½Π΅ΡΠ΅ Π½Π΅ΠΌΠ°Π»ΠΎ ΠΏΠΎΠ΄ΠΎΠ±Π½ΡΡ ΡΠΎΡΠΎ.
ΠΠ° ΠΆΠΈΠ²ΠΎΡΠ΅ ΡΠ°ΡΡ ΠΌΠΎΠΆΠ΅Ρ Π²ΡΠΏΠΎΠ»Π½ΡΡΡ ΠΈ ΠΎΠ±Π΅ΡΠ΅Π³Π°ΡΡΡΡ ΡΡΠ½ΠΊΡΠΈΡ. ΠΠ»Ρ ΡΡΠΎΠ³ΠΎ Π²ΡΠ±ΠΈΡΠ°ΡΡ ΡΠΎΠΎΡΠ²Π΅ΡΡΡΠ²ΡΡΡΠΈΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ. Π’Π°ΠΊ, ΠΠ½Π΄ΠΆΠ΅Π»ΠΈΠ½Π° ΠΠΆΠΎΠ»ΠΈ Π½ΠΎΡΠΈΡ Π½Π° ΡΠ°Π»ΠΈΠΈ ΡΠ°ΡΡ Π² Π²ΠΈΠ΄Π΅ ΠΊΡΠ΅ΡΡΠ°, ΡΠΎΡΡΠΈΡΠ½ΠΊΠ° ΠΡΠΉΡΠ°Π½ Π£ΡΡΡΠ΅Π²Π° β Π³Π»Π°Π· Ρ ΠΊΡΡΠ»ΡΡΠΌΠΈ, ΠΎΡΡ ΠΎΠ΄ΡΡΠΈΠΌΠΈ ΠΎΡ Π½Π΅Π³ΠΎ. ΠΠ°ΡΡΠΈΠ½Π° ΠΏΡΠΈΠ·Π²Π°Π½Π° ΠΎΡΠ²ΠΎΠ΄ΠΈΡΡ ΠΎΡ Π³ΠΈΠΌΠ½Π°ΡΡΠΊΠΈ ΡΠ³Π»Π°Π·. Π‘ΡΠ΄Ρ ΠΏΠΎ ΡΡΠΏΠ΅ΡΠ½ΠΎΠΉ ΠΊΠ°ΡΡΠ΅ΡΠ΅ ΠΈ Π»ΠΈΡΠ½ΠΎΠΉ ΠΆΠΈΠ·Π½ΠΈ, Π½Π°ΠΊΠΎΠ»ΠΊΠ° ΠΡΠΉΡΠ°Π½ Β«ΡΠ°Π±ΠΎΡΠ°Π΅ΡΒ».
Π’Π°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ Π΄Π»Ρ Π΄Π΅Π²ΡΡΠ΅ΠΊ
Π’ΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π½ΠΎ Π΄Π΅Π²ΠΈΡΡΠΈΠΌΠΈ ΡΡΠΈΡΠ°ΡΡΡΡ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠΈ Π² Π½ΠΈΠΆΠ½Π΅ΠΉ ΡΠ°ΡΡΠΈ ΠΆΠΈΠ²ΠΎΡΠ°. ΠΠ±ΡΡΠ½ΠΎ, ΡΠ·ΠΎΡΡ Π½Π΅ ΠΏΠΎΠ΄Π½ΠΈΠΌΠ°ΡΡΡΡ Π²ΡΡΠ΅ ΠΏΡΠΏΠΊΠ°. Π’Π°ΠΊ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°Π΅ΡΡΡ ΠΆΠ΅Π½ΡΡΠ²Π΅Π½Π½ΠΎΡΡΡ ΠΈ ΡΠ΅ΠΊΡΡΠ°Π»ΡΠ½ΠΎΡΡΡ. ΠΡΠΆΡΠΈΠ½Ρ ΡΠ°ΡΠ΅ Π΄Π΅Π»Π°ΡΡ Π°ΠΊΡΠ΅Π½Ρ Π½Π° ΠΌΠΎΡΠ½ΠΎΠΌ ΡΠΎΡΡΠ΅, ΡΠ°ΡΠΏΠΎΠ»Π°Π³Π°Ρ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ Π½Π° Π³ΡΠ°Π½ΠΈ Π½ΠΈΠΆΠ½ΠΈΡ ΡΠ΅Π±Π΅Ρ. ΠΠ΄ΠΈΠ½ ΠΈΠ· ΡΠ°ΠΊΡΠΎΡΠΎΠ² ΠΆΠ΅Π½ΡΠΊΠΎΠΉ ΠΏΡΠΈΡΡΠ³Π°ΡΠ΅Π»ΡΠ½ΠΎΡΡΠΈ β ΠΎΡΠΈΠ½Π°Ρ ΡΠ°Π»ΠΈΡ.
ΠΠ΅ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°ΡΡ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΡΡΠ΅ΡΠΈΡΠ΅ΡΠΊΠΈΠΌΠΈ ΡΠ·ΠΎΡΠ°ΠΌΠΈ ΠΏΠΎ Π±ΠΎΠΊΠ°ΠΌ, Π½ΠΎ ΠΈ ΠΈΠΌΠΈΡΠ°ΡΠΈΠ΅ΠΉ ΡΠΊΡΠ°ΡΠ΅Π½ΠΈΠΉ. Π ΠΏΠΈΡΡΠΈΠ½Π³Ρ Π² ΠΏΡΠΏΠΊΠ΅ ΠΏΡΠΈΡ ΠΎΠ΄ΠΈΡΡΡ ΠΊΡΡΠ°ΡΠΈ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠ° Π² Π²ΠΈΠ΄Π΅ ΡΠ΅ΠΏΠΎΡΠ΅ΠΊ. ΠΠ½ΠΈ ΠΌΠΎΠ³ΡΡ ΠΎΠΏΠΎΡΡΡΠ²Π°ΡΡ ΡΠ°Π»ΠΈΡ, Π΄Π΅Π»Π°Ρ Π½Π° Π½Π΅ΠΉ Π°ΠΊΡΠ΅Π½Ρ. ΠΠΎΡΠΈΠ·ΠΎΠ½ΡΠ°Π»ΡΠ½ΡΡ Π»Π΅Π½ΡΡ ΡΠΎΡΡΠ°Π²Π»ΡΡΡ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΠΈΠ· Π·Π²Π΅Π½ΡΠ΅Π², Π½ΠΎ ΠΈ Π½Π°ΡΠΈΡΠΎΠ²Π°Π½Π½ΡΡ Π±ΡΠΈΠ»Π»ΠΈΠ°Π½ΡΠΎΠ², ΡΠ²Π΅ΡΠΎΠ², Π²ΠΎΡΡΠΎΡΠ½ΡΡ ΠΎΡΠ½Π°ΠΌΠ΅Π½ΡΠΎΠ².
Π’Π°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ β ΠΆΠ΅Π½ΡΠΊΠΈΠ΅ ΡΠ»ΠΎΠ²ΠΊΠ΅ Π² Π±ΠΎΡΡΠ±Π΅ Π·Π° Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ ΠΏΡΠ΅Π΄ΡΡΠ°Π²ΠΈΡΠ΅Π»Π΅ΠΉ ΡΠΈΠ»ΡΠ½ΠΎΠ³ΠΎ ΠΏΠΎΠ»Π°. Π’Π°ΡΡ ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°ΡΡ Π²Π·Π³Π»ΡΠ΄Ρ, Π°ΡΡΠΎΡΠΈΠΈΡΡΡΡΡΡ Ρ ΡΡΠΎΡΠΈΠΊΠΎΠΉ, ΠΏΡΠΎΠ±ΡΠΆΠ΄Π°ΡΡ ΠΆΠ΅Π»Π°Π½ΠΈΠ΅. Π‘ΠΎΠΎΡΠ²Π΅ΡΡΡΠ²Π΅Π½Π½ΠΎ Π²ΡΠ±ΠΈΡΠ°ΡΡΡΡ ΠΈ ΡΠΈΠΌΠ²ΠΎΠ»Ρ. ΠΡΠΎ Π·Π½Π°ΠΊΠΈ ΠΈΠ³ΡΠΈΠ²ΠΎΡΡΠΈ, Π»Π΅Π³ΠΊΠΎΡΡΠΈ ΠΈ Π³ΡΠ°ΡΠΈΠΈ, ΡΠ°ΠΊΠΈΠ΅ ΠΊΠ°ΠΊ: Π±Π°Π±ΠΎΡΠΊΠΈ, Π·Π²Π΅Π·Π΄ΠΎΡΠΊΠΈ, ΡΠ΅ΡΠ΄Π΅ΡΠΊΠΈ, ΠΊΠΎΡΠ°ΡΡΠΈ Π»Π°ΠΏΠΊΠΈ, ΡΡΠ΅ΡΠΊΠΈ. Π Π½Π΅ΡΡΠ°Π½Π΄Π°ΡΡΠ½ΡΠΌ Π²Π°ΡΠΈΠ°Π½ΡΠ°ΠΌ Π΄Π»Ρ Π΄Π΅Π²ΡΡΠ΅ΠΊ ΠΎΡΠ½ΠΎΡΡΡΡΡ ΡΡΠΆΠ΅ΡΡ Ρ ΠΎΡΡΠΆΠΈΠ΅ΠΌ ΠΈ ΡΠ΅ΡΠ΅ΠΏΠ°ΠΌΠΈ.
Π Π½ΠΈΡ Π΅ΡΡΡ Π½Π΅ΠΊΠ°Ρ Π°Π³ΡΠ΅ΡΡΠΈΡ. ΠΠ°ΡΡΠΈΠ½Ρ ΡΠ»ΠΎΠ²Π½ΠΎ Π³ΠΎΠ²ΠΎΡΡΡ: β Β«Ρ ΡΠ΅ΠΊΡΡΠ°Π»ΡΠ½Π°, Π½ΠΎ ΠΎΠΏΠ°ΡΠ½Π°Β».Β ΠΡΠ»ΠΈ ΠΆΠ΅ Ρ ΠΎΡΠ΅ΡΡΡ Π²ΡΠ·Π²Π°ΡΡ Π½Π΅ ΡΡΡΠ°Ρ , Π° ΡΠΌΠ΅Ρ , Π½Π°ΠΊΠ°Π»ΡΠ²Π°ΡΡ ΠΌΡΠ»ΡΡΡΠ΅ΠΊ ΠΈ Π»Π΅Π΄Π΅Π½ΡΡ. ΠΠΎΠΌΠ½ΠΈΡΠ΅ ΠΏΠ΅ΡΡΡΠΊΠΈ Π½Π° ΠΏΠ°Π»ΠΎΡΠΊΠ°Ρ ? ΠΠ°ΠΊ Π²Π°ΠΌ ΠΏΠ°ΡΠ° ΡΠ°ΠΊΠΈΡ ΠΊΠΎΠ½ΡΠ΅Ρ, ΡΠ°ΡΡ ΠΎΠ΄ΡΡΠΈΡ ΡΡ Π² ΡΡΠΎΡΠΎΠ½Ρ ΠΎΡ ΠΎΠ±Π»Π°ΡΡΠΈ Π»ΠΎΠ±ΠΊΠ°?
ΠΡΠΊΠΈΠ·Ρ Β«ΡΠ°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΒ» ΠΏΠΎΠ»ΡΠ·ΡΡΡΡΡ ΡΠΏΡΠΎΡΠΎΠΌ Π»ΠΈΡΡ Ρ 10% ΠΌΡΠΆΡΠΈΠ½ ΠΈ 70% ΠΆΠ΅Π½ΡΠΈΠ½. ΠΠ΄Π½Π°ΠΊΠΎ, ΠΈΠΌΠ΅Π½Π½ΠΎ Π΄Π»Ρ Π΄Π°ΠΌ ΡΠ·ΠΎΡΡ Π±Π»ΠΈΠ· ΡΠ°Π»ΠΈΠΈ ΡΠ²Π»ΡΡΡΡΡ ΡΠΈΡΠΊΠΎΠ²Π°Π½Π½ΡΠΌΠΈ. ΠΡΠΈΠ·Π²Π°Π½ΠΈΠ΅ Π±ΡΡΡ ΠΌΠ°ΡΠ΅ΡΡΡ, ΠΏΡΠΈΡΠΎΠ΄Π½Π°Ρ ΡΠΊΠ»ΠΎΠ½Π½ΠΎΡΡΡ ΠΊ ΠΏΠ΅ΡΠ΅ΠΏΠ°Π΄Π°ΠΌ ΠΌΠ°ΡΡΡ ΡΠ΅Π»Π° ΡΡΠ°Π½ΠΎΠ²ΡΡΡΡ ΠΏΡΠΈΡΠΈΠ½Π°ΠΌΠΈ ΠΈΡΠΊΠ°ΠΆΠ΅Π½ΠΈΡ Π½Π°Π½Π΅ΡΠ΅Π½Π½ΡΡ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠΉ.
ΠΠ°ΠΊΠΎΠ»ΠΊΠΈ ΠΏΡΠΈΡ ΠΎΠ΄ΠΈΡΡΡ ΡΠ°ΡΡΠΎ ΠΏΠΎΠΏΡΠ°Π²Π»ΡΡΡ, Π΄ΠΎΡΠ°Π±Π°ΡΡΠ²Π°ΡΡ, ΠΈΠ»ΠΈ, Π²ΠΎΠ²ΡΠ΅, Π²ΡΠ²ΠΎΠ΄ΠΈΡΡ Ρ ΠΊΠΎΠΆΠΈ. Π£ΡΠΈΡΡΠ²Π°Ρ ΡΡΠΎ, ΠΌΠ½ΠΎΠ³ΠΈΠ΅ Π»Π΅Π΄ΠΈ ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΠΎ Π·Π°ΠΏΡΠ°ΡΠΈΠ²Π°ΡΡ ΡΠ°ΡΡ. ΠΠΈΠ· ΠΆΠΈΠ²ΠΎΡΠ° ΡΡΠ΅Π±ΡΠ΅Ρ ΡΡ ΠΎΠ΄Π°, Π·Π°Π½ΡΡΠΈΠΉ ΡΠΏΠΎΡΡΠΎΠΌ. Π£Π·ΠΎΡ Π½Π° ΡΠ°Π»ΠΈΠΈ β ΡΡΠΈΠΌΡΠ» Π½Π΅ ΡΠ°ΡΡΠ»Π°Π±Π»ΡΡΡΡΡ, Π²ΡΠ΅Π³Π΄Π° ΡΠ»Π΅Π΄ΠΈΡΡ Π·Π° ΡΠΎΠ±ΠΎΠΉ.
Β
Π’Π°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ Π΄Π»Ρ ΠΌΡΠΆΡΠΈΠ½
Π’Π°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΠΌΡΠΆΡΠΊΠΈΠ΅, ΡΠ°ΡΠ΅ ΠΆΠ΅Π½ΡΠΊΠΈΡ , Π½ΠΎΡΡΡ ΡΠΌΠΎΡΠΈΡΡΠΈΡΠ΅ΡΠΊΠΈΠΉ Ρ Π°ΡΠ°ΠΊΡΠ΅Ρ. ΠΠ±ΡΠ³ΡΡΠ²Π°Π΅ΡΡΡ, Π² ΠΎΡΠ½ΠΎΠ²Π½ΠΎΠΌ, ΠΏΡΠΏΠΎΠΊ. ΠΠ½ ΡΡΠ°Π½ΠΎΠ²ΠΈΡΡΡ ΡΡΠ°ΡΡΠΊΠΎΠΌ Π²ΠΎΠ΄ Ρ Π²ΠΎΡΡΠΎΠΌ ΠΊΠΎΡΠ°, ΠΊΠΎΡΠΎΠ²Ρ, ΠΈΠ»ΠΈ ΡΠ°ΡΠΊΡΡΠ²Π°Π΅ΡΡΡ, ΠΎΠ±Π½Π°ΠΆΠ°Ρ Π²Π½ΡΡΡΠ΅Π½Π½ΠΈΠ΅ ΠΎΡΠ³Π°Π½Ρ.
ΠΡΠ»ΠΈ Π΄Π΅Π²ΡΡΠΊΠΈ ΠΌΠ°ΡΠΊΠΈΡΡΡΡ ΡΡΠ°ΠΌΡ, ΡΠΎ ΠΏΠ°ΡΠ½ΠΈ, Π½Π°ΠΏΡΠΎΡΠΈΠ², ΡΠΊΠ»ΠΎΠ½Π½Ρ ΠΈΡ Π΄ΠΎΡΠΈΡΠΎΠ²ΡΠ²Π°ΡΡ. ΠΡΠΎΠ²ΠΎΠΏΠΎΠ΄ΡΠ΅ΠΊΠΈ ΠΌΠΎΠ³ΡΡ Π±ΡΡΡ ΡΠ°ΠΌΠΎΡΡΠΎΡΡΠ΅Π»ΡΠ½ΠΎΠΉ Π½Π°ΠΊΠΎΠ»ΠΊΠΎΠΉ, ΠΈΠ»ΠΈ Π΅Π΅ ΡΠ°ΡΡΡΡ. Π’Π°ΠΊ, ΠΏΠΎΠ»ΡΠ·ΡΠ΅ΡΡΡ ΡΠΏΡΠΎΡΠΎΠΌ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ Π°ΠΊΡΠ»Ρ Ρ ΠΎΡΡΠ΅Π·Π°Π½Π½ΠΎΠΉ Π³ΠΎΠ»ΠΎΠ²ΠΎΠΉ. Π ΡΠ±Π° ΠΏΡΠΎΡΠΈΡΠΎΠ²ΡΠ²Π°Π΅ΡΡΡ Π² ΡΠΏΠΎΠΊΠΎΠΉΠ½ΡΡ ΡΠΎΠ½Π°Ρ , Π° ΡΠ°Π½Π°Β Π±ΠΎΡΠ΄ΠΎΠ²ΡΠΌΠΈ ΠΊΡΠ°ΡΠΊΠ°ΠΌΠΈ. Π¨ΡΠ°ΠΌΡ, ΠΊΠ°ΠΊ Π³ΠΎΠ²ΠΎΡΠΈΡΡΡ, ΡΠΊΡΠ°ΡΠ°ΡΡ ΠΌΡΠΆΡΠΈΠ½Ρ.
ΠΠΎΠΏΡΠ»ΡΡΠ½Ρ ΡΡΠ΅Π΄ΠΈ Π΄ΠΆΠ΅Π½ΡΠ»ΡΠΌΠ΅Π½ΠΎΠ² ΠΈ ΡΠ°ΡΡ-Π½Π°Π΄ΠΏΠΈΡΠΈ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅. ΠΠ½ΠΈ, ΠΊΠ°ΠΊ ΠΏΡΠ°Π²ΠΈΠ»ΠΎ, ΠΏΡΠΎΡ ΠΎΠ΄ΡΡ Π³ΠΎΡΠΈΠ·ΠΎΠ½ΡΠ°Π»ΡΠ½ΠΎ. ΠΡΠΎ Π·ΡΠΈΡΠ΅Π»ΡΠ½ΠΎ ΡΠ°ΡΡΠΈΡΡΠ΅Ρ Π·ΠΎΠ½Ρ ΠΏΡΠ΅ΡΡΠ°. ΠΠ΅Π²ΡΡΠΊΠΈ ΠΆΠ΅ ΠΏΡΠ΅Π΄ΠΏΠΎΡΠΈΡΠ°ΡΡ Π²Π΅ΡΡΠΈΠΊΠ°Π»ΡΠ½ΡΠ΅ Π½Π°Π΄ΠΏΠΈΡΠΈ, ΡΠ΄Π»ΠΈΠ½ΡΡΡΠΈΠ΅ ΠΈ ΡΡΡΠΎΠΉΠ½ΡΡΠΈΠ΅ ΠΈΡ ΡΠΈΠ³ΡΡΡ.
ΠΠ΅Π²ΠΈΡΡΠΈ ΡΡΠΈΡΡΡ ΠΎΡΠ»ΠΈΡΠ°ΡΡΡΡ ΠΎΠ±ΠΈΠ»ΠΈΠ΅ΠΌ Π·Π°Π²ΠΈΡΠΊΠΎΠ², ΠΏΠΎΠ»ΠΎΠ³ΠΈΡ Π»ΠΈΠ½ΠΈΠΉ. ΠΡΠΆΡΠΊΠΈΠ΅ ΠΎΠ±ΡΠ°Π·ΡΡ ΡΠ°ΡΡ ΡΠ³Π»ΠΎΠ²Π°ΡΡ, Π»ΠΈΠ±ΠΎ Π²ΡΠΏΠΎΠ»Π½Π΅Π½Ρ Π² ΠΏΠ΅ΡΠ°ΡΠ½ΠΎΠΌ ΡΡΠΈΠ»Π΅. Π’Π°ΠΊΠΈΠ΅ Π½Π°Π΄ΠΏΠΈΡΠΈ ΠΏΠ΅ΡΠ΅Π΄Π°ΡΡ ΡΠΈΠ»Ρ, ΡΡΡΠ΅ΠΌΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ ΠΈ ΠΎΡΠ½ΠΎΠ²Π°ΡΠ΅Π»ΡΠ½ΠΎΡΡΡ, ΠΏΡΠΈΡΡΡΠΈΠ΅ Π΄ΠΆΠ΅Π½ΡΠ»ΡΠΌΠ΅Π½Π°ΠΌ.
Π ΠΈΡΠΊΠΎΠ½Π½ΠΎ ΠΌΡΠΆΡΠΊΠΈΠΌ ΡΠΈΠΌΠ²ΠΎΠ»Π°ΠΌ ΠΎΡΠ½ΠΎΡΡΡΡΡ: ΡΠΊΠΎΡΡ, ΠΊΠΎΡΠ°Π±Π»ΠΈ, ΠΎΡΡΠΆΠΈΠ΅, ΠΊΠ°ΡΡΡ. ΠΠ½ΠΈ, ΡΠ°ΠΊ ΠΆΠ΅, ΡΡΠ°Π½ΠΎΠ²ΡΡΡΡ Π½Π°ΠΊΠΎΠ»ΠΊΠ°ΠΌΠΈ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ°Ρ . ΠΠΎΡΠ°Π±Π΅Π»ΡΠ½ΡΠ΅ Π³ΡΡΠ·ΠΈΠ»Π° Π½Π΅ΡΠ΅Π΄ΠΊΠΎ ΡΠ°ΡΡΠΈΡΠ½ΠΎ ΡΠΎΠΏΡΡ Π² ΠΊΠΎΠΆΠ΅, ΠΊΠ°ΠΊ ΠΈ ΠΊΠΈΠ½ΠΆΠ°Π»Ρ. Π‘ΠΎΠ·Π΄Π°Π΅ΡΡΡ Π²ΠΏΠ΅ΡΠ°ΡΠ»Π΅Π½ΠΈΠ΅, ΡΡΠΎ ΠΏΡΠ΅Π΄ΠΌΠ΅ΡΡ ΠΏΡΠΎΠΊΠ°Π»ΡΠ²Π°ΡΡ ΠΏΠΎΠΊΡΠΎΠ²Ρ, ΡΠ»ΠΎΠ²Π½ΠΎ ΠΈΠ³Π»Ρ Π΄Π»Ρ ΡΠΈΡΡΡ. ΠΠ· ΠΌΠΈΡΠ° ΠΆΠΈΠ²ΠΎΡΠ½ΡΡ ΠΏΠ°ΡΠ½ΠΈ ΠΏΡΠ΅Π΄ΠΏΠΎΡΠΈΡΠ°ΡΡ Π½Π°ΠΊΠ°Π»ΡΠ²Π°ΡΡ: ΡΠΈΠ³ΡΠΎΠ², Π»ΡΠ²ΠΎΠ², ΠΌΠ΅Π΄Π²Π΅Π΄Π΅ΠΉ, ΠΌΠΎΡΡΠΊΠΈΡ ΡΡΠ΄ΠΎΠ²ΠΈΡ, Ρ ΠΈΡΠ½ΡΡ ΠΏΡΠΈΡ. ΠΠ½ΠΈ ΡΠΊΠ°Π·ΡΠ²Π°ΡΡ Π½Π° ΡΠΈΠ»Ρ, ΡΠΌΠ΅Π»ΠΎΡΡΡ ΠΈ ΡΡΠΏΠ΅ΡΠ½ΠΎΡΡΡ, Π·Π° ΠΊΠΎΡΠΎΡΡΠΌΠΈ Π³ΠΎΠ½ΡΡΡΡ ΠΌΡΠΆΡΠΈΠ½Ρ.
ΠΡΠ±ΠΎΡ ΡΡΠΊΠΈΠ·Π° Π΄Π»Ρ ΡΠ°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅
ΠΠΈΠ²ΠΎΡ β ΠΎΠ±ΡΠΈΡΠ½ΠΎΠ΅ Β«ΠΏΠΎΠ»ΠΎΡΠ½ΠΎΒ». ΠΠ° Π½Π΅Π³ΠΎ Π²ΠΌΠ΅ΡΡΡΡΡΡ Π»ΡΠ±ΡΠ΅ ΡΡΠΆΠ΅ΡΡ. ΠΠ΅Ρ ΡΠΌΡΡΠ»Π° ΠΎΠ³ΡΠ°Π½ΠΈΡΠΈΠ²Π°ΡΡ ΡΠ΅Π±Ρ Π² Π²ΡΠ±ΠΎΡΠ΅ ΡΡΠΊΠΈΠ·ΠΎΠ². ΠΠ΅Ρ ΠΏΡΠΈΡΠΈΠ½ ΠΎΡΡΠ΅ΠΈΠ²Π°ΡΡ ΡΠΈΡΡΠ½ΠΊΠΈ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΠΏΠΎ ΡΠ°Π·ΠΌΠ΅ΡΡ, Π½ΠΎ ΠΈ ΠΏΠΎ ΡΡΠΈΠ»ΠΈΡΡΠΈΠΊΠ΅. ΠΠΎΠ·Π²ΠΎΠ»ΠΈΡΠ΅Π»ΡΠ½Ρ ΡΠΎΠΊΠΈΡΡΡΡΠΈΠ΅, ΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΈΠ΅, ΠΌΠΈΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ Π½Π°ΠΊΠΎΠ»ΠΊΠΈ. ΠΡΠΈ Π½Π°Π΄ΠΎΠ±Π½ΠΎΡΡΠΈ ΠΈΡ ΠΏΡΠΎΡΡΠΎ Π·Π°ΠΊΡΡΡΡ ΠΎΠ΄Π΅ΠΆΠ΄ΠΎΠΉ.
Π’Π°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ Π΄Π΅Π²ΡΡΠ΅ΠΊ, ΡΠΎΡΠΎ ΠΊΠΎΡΠΎΡΡΡ Π²ΡΠ»ΠΎΠΆΠ΅Π½Ρ Π² ΡΠ΅ΡΠΈ, Π½Π΅ΡΠ΅Π΄ΠΊΠΎ Π·Π°ΡΡΠ°Π³ΠΈΠ²Π°ΡΡ ΠΈΠ½ΡΠΈΠΌΠ½ΡΡ ΠΎΠ±Π»Π°ΡΡΡ. Π ΡΡΠΎΠΌ ΡΠ»ΡΡΠ°Π΅, Π½Π°ΠΊΠ°Π»ΡΠ²Π°Π½ΠΈΠ΅ ΡΠΈΡΡΠ½ΠΊΠ° Π±ΠΎΠ»Π΅Π·Π½Π΅Π½Π½ΠΎ. Β«ΠΡΡΡΡΠ΅Β» ΠΎΡΡΡΠ΅Π½ΠΈΠ΅ ΡΠΎΠΏΡΠΎΠ²ΠΎΠΆΠ΄Π°ΡΡ ΡΠ°Π±ΠΎΡΡ Π±Π»ΠΈΠ· ΠΏΡΠΏΠΊΠ° ΠΈ Π½Π° Π³ΡΠ°Π½ΠΈ Π³ΡΡΠ΄Π½ΡΡ ΡΠ΅Π±Π΅Ρ. Π ΠΎΡΡΠ°Π»ΡΠ½ΠΎΠΌ, ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ Π±Π»ΠΈΠ· ΡΠ°Π»ΠΈΠΈ Π²ΠΏΠΎΠ»Π½Π΅ ΡΠ΅ΡΠΏΠΈΠΌΡ. Π£Π΄Π°ΡΡ ΠΈΠ³Π»Ρ ΡΠΌΡΠ³ΡΠ°Π΅Ρ ΠΆΠΈΡΠΎΠ²Π°Ρ ΠΏΡΠΎΡΠ»ΠΎΠΉΠΊΠ°, ΠΎΡΠ΄Π°Π»Π΅Π½Π½ΠΎΡΡΡ ΠΊΠΎΡΡΠ΅ΠΉ. ΠΠΎΠΆΠ° Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ Π½Π΅ ΡΠ°ΠΌΠ°Ρ ΡΠΎΠ»ΡΡΠ°Ρ, Π½ΠΎ ΠΈ Π½Π΅ ΡΠ°ΠΌΠ°Ρ ΡΠΎΠ½ΠΊΠ°Ρ.
ΠΡΠΎ ΡΠΎΠΆΠ΅ ΡΠΊΠ°Π·ΡΠ²Π°Π΅ΡΡΡ Π½Π° Π±ΠΎΠ»Π΅Π·Π½Π΅Π½Π½ΠΎΡΡΠΈ ΠΏΡΠΎΡΠ΅Π΄ΡΡΡ. ΠΠ° ΡΠ΅Π΅, ΠΊΠΎΠ»Π΅Π½ΡΡ , ΠΏΠΎΠ·Π²ΠΎΠ½ΠΎΡΠ½ΠΈΠΊΠ΅, Π»ΠΎΠ΄ΡΠΆΠΊΠ°Ρ ΠΈ Π»ΠΎΠΏΠ°ΡΠΊΠ°Ρ , ΠΊ ΠΏΡΠΈΠΌΠ΅ΡΡ, Π΄Π΅Π»Π°ΡΡ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΡ ΡΠ»ΠΎΠΆΠ½Π΅Π΅. Π’Π°ΠΊ ΡΡΠΎ, ΠΈ Π·Π΄Π΅ΡΡ Π½Π΅Ρ ΠΏΡΠΈΡΠΈΠ½ ΠΎΡΠΊΠ°Π·ΡΠ²Π°ΡΡ ΡΠ΅Π±Π΅ Π² ΠΏΠΎΠ½ΡΠ°Π²ΠΈΠ²ΡΠ΅ΠΌΡΡ ΡΡΠΊΠΈΠ·Π΅ ΠΈΠ·-Π·Π° Π΅Π³ΠΎ ΡΠ°Π·ΠΌΠ΅ΡΠΎΠ², ΠΈΠ»ΠΈ ΡΠ»ΠΎΠΆΠ½ΠΎΡΡΠΈ ΠΏΡΠΎΡΠΈΡΠΎΠ²ΠΊΠΈ.
Β
Π’Π°ΡΡ Π½Π°Π΄ΠΏΠΈΡΠΈ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ Π½Π΅ ΡΠ°ΠΊ ΡΠ°ΡΠΏΡΠΎΡΡΡΠ°Π½Π΅Π½Ρ, ΠΏΠΎΡΠΎΠΌΡ ΡΡΠΎ ΡΡΠ° ΡΠ°ΡΡΡ ΡΠ΅Π»Π° ΡΠ²Π»ΡΠ΅ΡΡΡ Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎ Π±ΠΎΠ»Π΅Π·Π½Π΅Π½Π½ΠΎΠΉ Π΄Π»Ρ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΎΠΊ. ΠΠ°ΠΊ ΠΆΠ΅Π½ΡΠΊΠΈΠΉ, ΡΠ°ΠΊ ΠΈ ΠΌΡΠΆΡΠΊΠΎΠΉ ΠΆΠΈΠ²ΠΎΡ ΠΌΠΎΠΆΠ΅Ρ ΠΌΠ΅Π½ΡΡΡ ΡΠ²ΠΎΡ ΡΠΎΡΠΌΡ ΡΠΎ Π²ΡΠ΅ΠΌΠ΅Π½Π΅ΠΌ. ΠΠΌΠ΅ΡΡΠ΅ Ρ Π½ΠΈΠΌ Π±ΡΠ΄Π΅Ρ ΠΌΠ΅Π½ΡΡΡΡΡ ΠΈ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠ°. ΠΡΠΈ ΡΡΠΎΠΌ Π΄Π°ΠΆΠ΅ Π½Π΅ ΠΎΠ±ΡΠ·Π°ΡΠ΅Π»ΡΠ½ΠΎ ΡΠΎΠ»ΡΡΠ΅ΡΡ. ΠΠ°ΠΊΠ°ΡΠ΅Π½Π½ΡΠ΅ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΠΊΡΠ±ΠΈΠΊΠΈ ΠΏΡΠ΅ΡΡΠ° ΠΌΠΎΠ³ΡΡ ΡΠ°ΠΊ ΠΆΠ΅ Π½Π΅Π³Π°ΡΠΈΠ²Π½ΠΎ ΡΠΊΠ°Π·Π°ΡΡΡΡ Π½Π° Π²Π½Π΅ΡΠ½Π΅ΠΌ Π²ΠΈΠ΄Π΅ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠΈ, ΠΊΠ°ΠΊ ΠΈ ΡΠ»Π΅Π³ΠΊΠ° ΠΎΠΏΠ»ΡΠ²ΡΠΈΠΉ ΠΆΠΈΠ²ΠΎΡΠΈΠΊ. ΠΠ°Π΄ΠΏΠΈΡΠΈ Π΄Π»Ρ ΡΡΠΎΠΉ ΡΠ°ΡΡΠΈ ΡΠ΅Π»Π° Π²ΡΠ±ΠΈΡΠ°ΡΡ ΠΏΠΎΡΠΎΠΌΡ, ΡΡΠΎ ΠΎΠ½ΠΈ ΠΌΠΈΠ½ΠΈΠΌΠ°Π»ΡΠ½Ρ ΠΏΠΎ ΠΏΠ»ΠΎΡΠ°Π΄ΠΈ Π½Π°Π½Π΅ΡΠ΅Π½ΠΈΡ ΠΏΠΎ ΡΡΠ°Π²Π½Π΅Π½ΠΈΡ Ρ ΠΏΠΎΠ»Π½ΠΎΡΠ΅Π½Π½ΡΠΌΠΈ ΠΌΠ½ΠΎΠ³ΠΎΠΊΡΠ°ΡΠΎΡΠ½ΡΠΌΠΈ ΠΏΠΎΠ»ΠΎΡΠ½Π°ΠΌΠΈ.
Π’Π°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ β Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅, Π΄Π΅Π²ΡΡΠΊΠΈ! Π’Π°ΡΡ Π½Π°Π΄ΠΏΠΈΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΠΌΠΎΠΆΠ΅Ρ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎ Π½Π΅ΠΏΡΠ΅Π΄ΡΠΊΠ°Π·ΡΠ΅ΠΌΠΎ ΡΠ΅Π±Ρ ΠΏΠΎΠ²Π΅ΡΡΠΈ, Π΅ΡΠ»ΠΈ Π΄Π΅Π²ΡΡΠΊΠ° Π±ΡΠ΄Π΅Ρ Π²ΡΠ½Π°ΡΠΈΠ²Π°ΡΡ ΠΌΠ°Π»ΡΡΠ°. Π’Π°ΠΊ ΠΊΠ°ΠΊ Π±ΠΎΠ»ΡΡΠΈΠ½ΡΡΠ²ΠΎ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΎΠΊ Π΄Π΅Π»Π°Π΅ΡΡΡ Π² ΡΠ½ΠΎΠΌ Π²ΠΎΠ·ΡΠ°ΡΡΠ΅, ΡΠΎ Π½ΡΠΆΠ½ΠΎ ΡΡΠ΅ΡΡΡ Π±ΡΠ΄ΡΡΠΈΠΉ ΡΠ°ΠΊΡ Π±Π΅ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΡΡΠΈ. ΠΠ°ΠΊΠΈΠΌ Π±Ρ Π½ΠΈ Π±ΡΠ» ΠΈΡΠΊΡΡΠ½ΡΠΌ ΠΌΠ°ΡΡΠ΅Ρ ΡΠ°ΡΡ, ΠΊΠ°ΠΊΠΈΠ΅ Π±Ρ Π²ΡΡΠΎΠΊΠΎΠΊΠ°ΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΠ΅ ΠΊΡΠ°ΡΠΊΠΈ Π½ΠΈ ΠΏΡΠΈΠΌΠ΅Π½ΡΠ»ΠΈΡΡ, Π³Π°ΡΠ°Π½ΡΠΈΡΠΎΠ²Π°ΡΡ ΠΏΠΎΠ»Π½ΡΡ ΡΠΎΡ ΡΠ°Π½Π½ΠΎΡΡΡ Π½Π°ΡΠ΅Π»ΡΠ½ΠΎΠΉ Π½Π°Π΄ΠΏΠΈΡΠΈ Π±ΡΠ΄Π΅Ρ Π½Π΅Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎ. ΠΡΠΎΠ±Π΅Π½Π½ΠΎ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠ° ΠΌΠΎΠΆΠ΅Ρ ΠΏΠΎΡΡΡΠ°Π΄Π°ΡΡ, Π΅ΡΠ»ΠΈ Π±ΡΠ΄Π΅Ρ ΠΏΡΠΎΠ²ΠΎΠ΄ΠΈΡΡΡΡ ΠΊΠ΅ΡΠ°ΡΠ΅Π²ΠΎ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅. ΠΡΠ»ΠΈ ΡΡΠ°ΠΌ ΠΏΠΎΠΏΠ°Π΄Π΅Ρ ΠΈΠΌΠ΅Π½Π½ΠΎ Π½Π° ΠΌΠ΅ΡΡΠΎ Π½Π°Π΄ΠΏΠΈΡΠΈ, Π΅Π΅ ΠΏΡΠΈΠ΄Π΅ΡΡΡ ΠΊΠΎΡΡΠ΅ΠΊΡΠΈΡΠΎΠ²Π°ΡΡ. ΠΠΎ ΡΡΠΎ Π½Π΅ ΠΎΠ·Π½Π°ΡΠ°Π΅Ρ, ΡΡΠΎ Π½ΡΠΆΠ½ΠΎ ΠΎΡΠΊΠ°Π·ΡΠ²Π°ΡΡΡΡ ΠΎΡ ΡΠ°ΡΡ. ΠΡΠΎΡΡΠΎ Π½ΡΠΆΠ½ΠΎ Π΄ΠΎΠΏΠΎΠ»Π½ΠΈΡΠ΅Π»ΡΠ½ΠΎ ΡΡΠΎΡΠ½ΠΈΡΡ Ρ ΠΌΠ°ΡΡΠ΅ΡΠ°, ΠΊΠ°ΠΊΠ°Ρ ΡΠ°ΡΡΡ ΠΆΠΈΠ²ΠΎΡΠ° Π»ΡΡΡΠ΅ ΠΏΠΎΠ΄ΠΎΠΉΠ΄Π΅Ρ. ΠΠ°Π½Π΅ΡΠ΅Π½Π½Π°Ρ Π½Π° Π½ΠΈΠ· ΠΆΠΈΠ²ΠΎΡΠ° ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠ° Π½Π΅ ΠΏΠΎΡΡΡΠ°Π΄Π°Π΅Ρ Π½ΠΈ ΠΎΡ Π±Π΅ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΡΡΠΈ, Π½ΠΈ ΠΎΡ Π²ΠΎΠ·ΡΠ°ΡΡΠ½ΡΡ ΠΈΠ·ΠΌΠ΅Π½Π΅Π½ΠΈΠΉ. Π’Π°ΡΡ Π²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠ΅ Π½Π° ΠΆΠΈΠ²ΠΎΡ Π‘ΡΠ΅Π΄ΠΈ Π²ΡΠ΅ΠΌΠ΅Π½Π½ΡΡ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΎΠΊ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΠΌΠΎΠΆΠ½ΠΎ ΡΡΠΈΡΠ°ΡΡ ΡΠ°ΠΌΡΠΌΠΈ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΠΌΠΈ ΠΈΠΌΠ΅Π½Π½ΠΎ Π½Π°Π΄ΠΏΠΈΡΠΈ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ°Ρ Π±Π΅ΡΠ΅ΠΌΠ΅Π½Π½ΡΡ . ΠΡΠΏΠΎΠ»Π½Π΅Π½Π½Π°Ρ Π² ΡΠΎΠΌΠ°Π½ΡΠΈΡΠ΅ΡΠΊΠΎΠΌ Π°ΠΌΠ΅ΡΠΈΠΊΠ°Π½ΡΠΊΠΎΠΌ (Ρ ΡΠ΅ΡΠ΄Π΅ΡΠΊΠ°ΠΌΠΈ ΠΈ Π·Π°Π²ΠΈΡΡΡΠΊΠ°ΠΌΠΈ) ΠΈΠ»ΠΈ ΡΠ΄Π΅ΡΠΆΠ°Π½Π½ΠΎΠΌ ΡΡΠ°Π½ΡΡΠ·ΡΠΊΠΎΠΌ ΡΡΠΈΡΡΠ΅ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠ° Β«ΠΆΠ΄Π΅ΠΌ Π΄Π΅Π²ΠΎΡΠΊΡ ΠΠ°ΡΡΒ» ΠΈΠ»ΠΈ ΠΏΠΎΠ΄ΠΎΠ±Π½Π°Ρ ΠΏΠΎΠ½ΡΠ°Π²ΠΈΡΡΡ ΠΌΠ½ΠΎΠ³ΠΈΠΌ Π±ΡΠ΄ΡΡΠΈΠΌ ΠΌΠ°ΠΌΠ°ΠΌ. ΠΡΠΎΠ±Π΅Π½Π½ΠΎ Π΅ΡΠ»ΠΈ ΡΠΆΠ΅ ΠΈΠ·Π²Π΅ΡΡΠ΅Π½ ΠΏΠΎΠ» ΠΈ Π²ΡΠ±ΡΠ°Π½ΠΎ ΠΈΠΌΡ Π΄Π»Ρ ΠΌΠ°Π»ΡΡΠ°. Π ΡΠ°ΡΡ Π½Π°Π΄ΠΏΠΈΡΠΈ ΡΠΎΡΠΎ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΠΌΠΎΠΆΠ½ΠΎ ΠΏΠΎΠ΄ΠΎΠ±ΡΠ°ΡΡ Π½Π΅Π±ΠΎΠ»ΡΡΠΎΠ΅ Π·Π°Π±Π°Π²Π½ΠΎΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ Ρ Π°ΠΈΡΡΠΎΠΌ ΠΈΠ»ΠΈ Π»ΡΠ±ΠΎΠΉ Π°ΡΡΠΈΠ±ΡΡΠΈΠΊΠΎΠΉ, ΡΠ²ΡΠ·Π°Π½Π½ΠΎΠΉ Ρ Π΄Π΅ΡΠΎΡΠΎΠΆΠ΄Π΅Π½ΠΈΠ΅ΠΌ. ΠΠ°ΠΊΠ°Ρ Π½Π°Π΄ΠΏΠΈΡΡ Π»ΡΡΡΠ΅ ΠΏΠΎΠ΄ΠΎΠΉΠ΄Π΅Ρ Π΄Π»Ρ ΠΆΠΈΠ²ΠΎΡΠ°? Π’Π°ΡΡΠΈΡΠΎΠ²ΠΊΠΈ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ Π½Π°Π΄ΠΏΠΈΡΠΈ ΠΌΠΎΠ³ΡΡ Π±ΡΡΡ ΠΈ ΡΠ΅ΡΡΠ΅Π·Π½ΡΠΌΠΈ, ΠΈ Π½Π°ΡΠΌΠ΅ΡΠ»ΠΈΠ²ΡΠΌΠΈ. ΠΠ΅ Π»ΡΠ±Π°Ρ ΠΊΡΡΠ»Π°ΡΠ°Ρ ΡΡΠ°Π·Π° ΠΈΠ»ΠΈ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½Π°Ρ ΡΡΠ°ΠΊΡΠΎΠ²ΠΊΠ° ΡΡΠΈΡΡΠ° Π±ΡΠ΄Π΅Ρ Ρ ΠΎΡΠΎΡΠΎ ΡΠΌΠΎΡΡΠ΅ΡΡΡΡ Π½Π° ΡΡΠΎΠΉ ΡΠ°ΡΡΠΈ ΡΠ΅Π»Π°. ΠΡΠ΅ Π·Π°Π²ΠΈΡΠΈΡ ΠΎΡ ΠΆΠΈΠ²ΠΎΡΠ°, ΡΠΎΡΠΌΡ ΠΈ ΡΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΡ Π½Π°Π΄ΠΏΠΈΡΠΈ.
ΠΡΡΡΠ΅ Π²ΡΠ΅Π³ΠΎ Π½Π°Π½Π΅ΡΡΠΈ ΠΈ Π·Π°ΠΊΡΠ΅ΠΏΠΈΡΡ ΡΡΠΊΠΈΠ· Π²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎ, ΡΡΠΎΠ±Ρ Β«ΠΏΠΎΠΆΠΈΡΡΒ» Ρ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠΎΠΉ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ Π΄Π½Π΅ΠΉ. ΠΡΠ΄ΡΠΌ, ΠΊΠΎΡΠΎΡΡΠ΅ Π»ΡΠ±ΡΡ ΡΠ°ΠΌΠΎΠΈΡΠΎΠ½ΠΈΡ, Π½ΡΠ°Π²ΠΈΡΡΡ Π½Π°Π±ΠΈΠ²Π°ΡΡ Π½Π° ΡΠ²ΠΎΠΉ Π½Π΅ ΠΎΡΠ΅Π½Ρ ΡΠΏΠΎΡΡΠΈΠ²Π½ΡΠΉ ΠΆΠΈΠ²ΠΎΡΠΈΠΊ Π½Π°Π΄ΠΏΠΈΡΠΈ Π² ΡΡΠΈΠ»Π΅ Β«ΠΠΎΠ»ΡΡΠ΅ ΠΏΠΈΠ²ΠΎ ΡΡΠ΄Π° Π½Π΅ ΠΏΠΎΠΌΠ΅ΡΡΠΈΡΡΡΒ» ΠΈΠ»ΠΈ Β«ΠΠ°ΡΠ΅ΠΌ Π½Π°ΠΌ ΡΠ΅ΡΡΡ ΠΊΡΠ±ΠΈΠΊΠΎΠ²?Β». Π‘ ΡΠ²Π΅Π»ΠΈΡΠΈΠ²Π°ΡΡΠΈΠΌΡΡ ΠΆΠΈΠ²ΠΎΡΠΎΠΌ Π½Π΅ Π²ΡΠ΅Π³Π΄Π° ΡΠ΄Π°Π΅ΡΡΡ ΡΠΏΡΠ°Π²ΠΈΡΡΡΡ, Π° Π²ΠΎΡ Ρ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΠ°ΠΌΠΈ ΠΏΠΎ ΡΡΠΎΠΌΡ ΠΏΠΎΠ²ΠΎΠ΄Ρ Ρ ΠΏΠΎΠΌΠΎΡΡΡ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠΈ β Π·Π°ΠΏΡΠΎΡΡΠΎ. Β
Π‘ΠΏΠΎΠ½ΡΠΎΡ ΡΡΠ°ΡΡΠΈ: Π Π΅Π½Π΅ΡΡΠ°Π½Ρ ΠΊΡΠ΅Π΄ΠΈΡ. ΠΠΎΠ΄ΠΎΠ±ΡΠ°ΡΡ ΠΊΡΠ΅Π΄ΠΈΡ ΠΎΠ½Π»Π°ΠΉΠ½ ΠΈ ΠΏΡΠΎΠΈΠ·Π²Π΅ΡΡΠΈ ΡΠ°ΡΡΠ΅Ρ Π½Π° ΠΊΡΠ΅Π΄ΠΈΡΠ½ΠΎΠΌ ΠΊΠ°Π»ΡΠΊΡΠ»ΡΡΠΎΡΠ΅ ΠΡ ΠΌΠΎΠΆΠ΅ΡΠ΅ Π½Π° ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΠΎΠΌ ΡΠ°ΠΉΡΠ΅. Π Π°Π·Π»ΠΈΡΠ½ΡΠ΅ ΡΡΠ»ΠΎΠ²ΠΈΡ ΠΈ Π°ΠΊΡΠΈΠΈ ΠΏΠΎ ΠΊΡΠ΅Π΄ΠΈΡΠ½ΡΠΌ ΠΏΡΠΎΠ΄ΡΠΊΡΠ°ΠΌ ΠΆΠ΄ΡΡ ΠΠ°Ρ, ΠΎΡΡΠ°Π»ΠΎΡΡ ΡΠΎΠ»ΡΠΊΠΎ Π²ΡΠ±ΡΠ°ΡΡ ΡΠ΅Π±Π΅ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΡΡΠΈΠΉ ΠΊΡΠ΅Π΄ΠΈΡ.
ΠΠΎΠΌΠΌΠ΅Π½ΡΠΈΡΡΠ΅ΠΌ!
ΠΡΠ»ΠΈ ΠΡ ΡΠ΅ΡΠΈΠ»ΠΈ ΡΠ΄Π΅Π»Π°ΡΡ ΡΠ΅Π±Π΅ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΡ Π½Π°Π΄ΠΏΠΈΡΡ ΠΈ Ρ ΠΎΡΠΈΡΠ΅, ΡΡΠΎΠ±Ρ Π² Π½Π΅ΠΉ Π½Π΅ Π±ΡΠ»ΠΎ ΠΎΡΠΈΠ±ΠΎΠΊ Π² Π½Π°ΠΏΠΈΡΠ°Π½ΠΈΠΈ ΠΈ ΠΏΠ΅ΡΠ΅Π²ΠΎΠ΄Π΅, ΡΠΎ ΠΡ ΠΌΠΎΠΆΠ΅ΡΠ΅ Π·Π°ΠΊΠ°Π·Π°ΡΡ ΠΏΠ΅ΡΠ΅Π²ΠΎΠ΄ Ρ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΡΡ ΠΏΠ΅ΡΠ΅Π²ΠΎΠ΄ΡΠΈΠΊΠΎΠ² Π½Π° Π½Π°ΡΠ΅ΠΌ ΡΠ΅ΡΠ²ΠΈΡΠ΅. Π’Π°ΠΊΠΆΠ΅ ΠΡ ΠΌΠΎΠΆΠ΅ΡΠ΅ ΠΏΠΎΠ΄ΠΎΠ±ΡΠ°ΡΡ ΡΡΠΈΡΡ Π΄Π»Ρ ΡΠ²ΠΎΠ΅ΠΉ ΡΠ°ΡΡ Π½Π°Π΄ΠΏΠΈΡΠΈ, Π²ΠΎΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π²ΡΠΈΡΡ Π½Π°ΡΠΈΠΌ ΡΠ΅ΡΠ²ΠΈΡΠΎΠΌ ΠΏΠΎΠ΄Π±ΠΎΡΠ° ΡΡΠΈΡΡΠΎΠ².Β | ||
ΠΠ· ΠΊΠ°ΡΠ΅Π³ΠΎΡΠΈΠΈ: Π’Π°ΡΡΠΈΡΠΎΠ²ΠΊΠΈ Π½Π°Π΄ΠΏΠΈΡΠΈ | Π€ΠΎΡΠΎ ΡΠ°ΡΡ Π½Π°Π΄ΠΏΠΈΡΠ΅ΠΉ
ΠΠ²ΡΠΎΡ ΠΠ°ΡΡ Red ΠΠ° ΡΡΠ΅Π½ΠΈΠ΅ 5 ΠΌΠΈΠ½. ΠΡΠΎΡΠΌΠΎΡΡΠΎΠ² 124 ΠΠΏΡΠ±Π»ΠΈΠΊΠΎΠ²Π°Π½ΠΎ
Π Π°ΡΡΡΠΈΡΠ°ΡΡ ΡΡΠΎΠΈΠΌΠΎΡΡΡ ΡΠ°ΡΡ
ΠΠ°ΠΆΠ΄Π°Ρ Π΄Π΅Π²ΡΡΠΊΠ°, ΠΈΠΌΠ΅ΡΡΠ°Ρ ΡΡΡΠΎΠΉΠ½ΡΡ ΡΠΈΠ³ΡΡΡ ΠΈ ΠΏΠΎΠ΄ΡΡΠ½ΡΡΡΠΉ ΠΆΠΈΠ²ΠΎΡΠΈΠΊ, ΡΡΡΠ΅ΠΌΠΈΡΡΡΡ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠ½ΡΡΡ ΠΊΡΠ°ΡΠΎΡΡ ΡΠ²ΠΎΠ΅Π³ΠΎ ΡΠ΅Π»Π°. ΠΡΠ΅ΠΊΡΠ°ΡΠ½ΡΠΉ ΡΠΏΠΎΡΠΎΠ± Π΄Π»Ρ ΡΡΠΎΠ³ΠΎ β ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠ° Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅. ΠΠ΄Π½Π°ΠΊΠΎ Ρ ΡΠ°ΡΡ Π½Π° ΠΏΡΠ·ΠΈΠΊΠ΅ ΡΠ²ΡΠ·Π°Π½ΠΎ ΠΌΠ½ΠΎΠΆΠ΅ΡΡΠ²ΠΎ ΠΌΠΈΡΠΎΠ² ΠΈ ΠΏΡΠ΅Π΄ΡΠ±Π΅ΠΆΠ΄Π΅Π½ΠΈΠΉ, ΠΏΡΠ°Π²Π΄ΠΈΠ²Ρ Π»ΠΈ ΠΎΠ½ΠΈ? Π Π°ΡΡΠΌΠΎΡΡΠΈΠΌ Π²ΠΎΠΏΡΠΎΡ ΠΏΠΎΠ΄ΡΠΎΠ±Π½Π΅Π΅.
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Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅ ΡΡΠ°ΡΡΠΈ:
Π’Π°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅: ΠΏΠ»ΡΡΡ ΠΈ ΠΌΠΈΠ½ΡΡΡ
Π’Π°ΡΡΠΈΡΠΎΠ²ΠΊΠ° Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΠΈΠΌΠ΅Π΅Ρ ΡΠ²ΠΎΠΈ Π½Π΅ΡΠΎΠΌΠ½Π΅Π½Π½ΡΠ΅ ΠΏΡΠ΅ΠΈΠΌΡΡΠ΅ΡΡΠ²Π°. Π Π°Π·ΠΌΠ΅ΡΡ ΠΏΠ»ΠΎΡΠ°Π΄ΠΈ Π΄Π»Ρ Π½Π°Π½Π΅ΡΠ΅Π½ΠΈΡ ΡΠ°ΡΡ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΡΡ ΠΏΡΠΎΡΠ²ΠΈΡΡ ΡΠ°Π½ΡΠ°Π·ΠΈΡ ΠΈ Π½Π°ΡΠΈΡΠΎΠ²Π°ΡΡ ΠΊΠ°ΠΊ ΠΌΠ°Π»Π΅Π½ΡΠΊΡΡ, Π°ΠΊΠΊΡΡΠ°ΡΠ½ΡΡ Π½Π°Π΄ΠΏΠΈΡΡ, ΡΠ°ΠΊ ΠΈ Π±ΠΎΠ»ΡΡΠΎΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅.
ΠΠ° ΠΆΠΈΠ²ΠΎΡΠ΅ ΡΠΈΡΡΠ½ΠΎΠΊ Π»Π΅Π³ΠΊΠΎ ΡΠΊΡΡΡΡ ΠΎΡ ΠΏΠΎΡΡΠΎΡΠΎΠ½Π½ΠΈΡ Π³Π»Π°Π· Π² ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΠΉ ΠΆΠΈΠ·Π½ΠΈ, ΠΏΠΎΡΡΠΎΠΌΡ Π΄Π°ΠΆΠ΅ ΡΠ°ΠΌΠΎΠ³ΠΎ ΡΡΡΠΎΠ³ΠΎΠ³ΠΎ Π΄ΡΠ΅ΡΡ-ΠΊΠΎΠ΄Π° ΠΎΠ½Π° Π½Π΅ Π½Π°ΡΡΡΠΈΡ. Π ΡΠΎ ΠΆΠ΅ Π²ΡΠ΅ΠΌΡ, ΠΏΠΎΡ Π²Π°ΡΡΠ°ΡΡΡΡ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠΎΠΉ Π½Π° ΠΏΠ»ΡΠΆΠ΅ ΠΈΠ»ΠΈ Π½Π° ΠΎΡΠ΄ΡΡ Π΅ ΠΏΡΠΎΡΠ΅ ΠΏΡΠΎΡΡΠΎΠ³ΠΎ. Π ΠΊΡΠΏΠ°Π»ΡΠ½ΠΈΠΊΠ΅ ΠΈΠ»ΠΈ ΠΊΠΎΡΠΎΡΠΊΠΎΠΌ ΡΠΎΠΏΠ΅ Π²Ρ ΠΏΡΠΎΠ΄Π΅ΠΌΠΎΠ½ΡΡΡΠΈΡΡΠ΅ΡΠ΅ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΡΠ²ΠΎΠΈ ΡΠΎΡΠΌΡ, Π½ΠΎ ΠΈ ΠΊΡΠ°ΡΠΈΠ²ΡΠΉ ΠΈ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΡΠΉ ΡΠ·ΠΎΡ.
ΠΡΠ»ΠΈ ΠΆΠ΅ Π²Π°ΡΠ° ΡΠΈΠ³ΡΡΠ° ΠΏΠΎΠΊΠ° Π΄Π°Π»Π΅ΠΊΠ° ΠΎΡ ΠΈΠ΄Π΅Π°Π»Π°, ΡΠ°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΠΌΠΎΠΆΠ΅Ρ ΡΡΠ°ΡΡ ΠΎΡΠ»ΠΈΡΠ½ΡΠΌ ΡΡΠΈΠΌΡΠ»ΠΎΠΌ Π·Π°Π½ΡΡΡΡΡ ΡΠΎΠ±ΠΎΠΉ. ΠΠ΅Π΄Ρ Π΄Π»Ρ ΡΠΎΠ³ΠΎ, ΡΡΠΎΠ±Ρ ΡΠΈΡΡΠ½ΠΎΠΊ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΡΠΌΠΎΡΡΠ΅Π»ΡΡ ΠΊΡΠ°ΡΠΈΠ²ΠΎ ΠΈ Π°ΠΊΠΊΡΡΠ°ΡΠ½ΠΎ, ΠΏΡΠΈΠ΄Π΅ΡΡΡ ΡΠ½Π°ΡΠ°Π»Π° ΠΏΠΎΡ ΡΠ΄Π΅ΡΡ. Π ΡΠ΄Π΅Π»Π°Π² ΡΠΈΡΡΠ½ΠΎΠΊ, Π²Ρ Π±ΡΠ΄Π΅ΡΠ΅ Π²ΡΠ½ΡΠΆΠ΄Π΅Π½Ρ ΡΠ»Π΅Π΄ΠΈΡΡ Π·Π° ΡΠ²ΠΎΠΈΠΌ Π²Π΅ΡΠΎΠΌ, ΡΡΠΎΠ±Ρ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠ° Π½Π΅ Π΄Π΅ΡΠΎΡΠΌΠΈΡΠΎΠ²Π°Π»Π°ΡΡ.
ΠΠΎΠ½Π΅ΡΠ½ΠΎ, Π½Π΅ ΠΎΠ±Ρ
ΠΎΠ΄ΠΈΡΡΡ ΠΈ Π±Π΅Π· Π½Π΅Π΄ΠΎΡΡΠ°ΡΠΊΠΎΠ². ΠΠΎΠΌΠΈΠΌΠΎ ΡΠΎΠ³ΠΎ, ΡΡΠΎ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠ° Π²ΡΠ½ΡΠΆΠ΄Π°Π΅Ρ ΠΏΠΎΡΡΠΎΡΠ½Π½ΠΎ ΡΠ»Π΅Π΄ΠΈΡΡ Π·Π° ΡΠΎΡΠΌΠ°ΠΌΠΈ (Π² ΡΠ΅ΠΌ Π΅ΡΡΡ ΠΈ ΠΏΠΎΠ»ΠΎΠΆΠΈΡΠ΅Π»ΡΠ½Π°Ρ ΡΡΠΎΡΠΎΠ½Π°), Π½Π°Π½Π΅ΡΠ΅Π½ΠΈΠ΅ Π΅Π΅ Π½Π° ΠΆΠΈΠ²ΠΎΡ Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎ Π±ΠΎΠ»Π΅Π·Π½Π΅Π½Π½ΠΎ. ΠΠ΄Π½Π°ΠΊΠΎ, ΠΊΡΠ°ΡΠΎΡΠ° ΡΡΠ΅Π±ΡΠ΅Ρ ΠΆΠ΅ΡΡΠ², ΠΏΠΎΡΡΠΎΠΌΡ Π½Π΅ΠΌΠ½ΠΎΠ³ΠΎ ΠΏΠΎΡΠ΅ΡΠΏΠ΅ΡΡ ΡΠ°Π΄ΠΈ ΠΆΠ΅Π»Π°Π½Π½ΠΎΠΉ ΡΠ°ΡΡ Π²ΠΏΠΎΠ»Π½Π΅ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎ.
Π’Π°ΡΡΠΈΡΠΎΠ²ΠΊΠ° Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΠΈ Π±Π΅ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΡΡΡ
Π§ΡΠΎΠ±Ρ ΠΈΠ·Π±Π΅ΠΆΠ°ΡΡ Π΄Π΅ΡΠΎΡΠΌΠ°ΡΠΈΡ ΡΠΈΡΡΠ½ΠΊΠ°, Π½ΡΠΆΠ½ΠΎ Ρ ΡΠ°ΠΌΡΡ ΡΠ°Π½Π½ΠΈΡ ΡΡΠΎΠΊΠΎΠ² ΡΡ Π°ΠΆΠΈΠ²Π°ΡΡ Π·Π° ΠΊΠΎΠΆΠ΅ΠΉ, ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡΡΡ ΠΊΡΠ΅ΠΌΠΎΠΌ ΠΎΡ ΡΠ°ΡΡΡΠΆΠ΅ΠΊ, ΡΠ»Π΅Π΄ΠΈΡΡ Π·Π° ΠΏΠΈΡΠ°Π½ΠΈΠ΅ΠΌ ΠΈ ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎΠΌ ΡΠΏΠΎΡΡΠ΅Π±Π»ΡΠ΅ΠΌΠΎΠΉ ΠΆΠΈΠ΄ΠΊΠΎΡΡΠΈ. ΠΠΎΡΠ»Π΅ Π±Π΅ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΡΡΠΈ Π²Π΅ΡΠ½ΡΡΡ ΠΆΠΈΠ²ΠΎΡΠΈΠΊ, Π° Π·Π½Π°ΡΠΈΡ, ΠΈ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΡ Π² ΠΏΡΠ΅ΠΆΠ½Π΅Π΅ ΡΠΎΡΡΠΎΡΠ½ΠΈΠ΅ ΠΏΠΎΠΌΠΎΠ³ΡΡ ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΡΠ΅ ΠΊΡΠ΅ΠΌΡ ΠΈ Π·Π°Π½ΡΡΠΈΡ ΡΠΏΠΎΡΡΠΎΠΌ.
ΠΠ΅ΠΊΠΎΡΠΎΡΡΠ΅ Π΄Π΅Π²ΡΡΠΊΠΈ Π½ΠΈ ΡΠΎΠ»ΡΠΊΠΎ Π½Π΅ Π±ΠΎΡΡΡΡ ΡΠ°ΡΡ ΠΏΡΠΈ Π±Π΅ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΡΡΠΈ, Π½ΠΎ ΠΈ Π΄Π΅Π»Π°ΡΡ ΠΈΡ
ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΠΎ. ΠΠ°ΠΏΡΠΈΠΌΠ΅Ρ, ΠΊΠΎΠ³Π΄Π° ΡΠΆΠ΅ ΠΈΠ·Π²Π΅ΡΡΠ΅Π½ ΠΏΠΎΠ» ΡΠ΅Π±Π΅Π½ΠΊΠ°, Π±ΡΠ΄ΡΡΠΈΠ΅ ΠΌΠ°ΠΌΡ Π½Π°Π½ΠΎΡΡΡ Π½Π°Π΄ΠΏΠΈΡΡ Ρ ΠΈΠΌΠ΅Π½Π΅ΠΌ ΠΌΠ°Π»ΡΡΠ°, Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ, Β«ΠΆΠ΄Π΅ΠΌ Π΄Π΅Π²ΠΎΡΠΊΡ ΠΠ°ΡΡΒ». ΠΡΠ»ΠΈ ΠΆΠ΅ ΠΏΠΎΡΠ»Π΅ Π±Π΅ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΡΡΠΈ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ Π²ΡΠ΅-ΡΠ°ΠΊΠΈ ΠΎΡΡΠ°Π»ΠΈΡΡ ΡΠ»Π΅Π΄Ρ ΠΎΡ ΡΠ°ΡΡΡΠΆΠ΅ΠΊ ΠΈΠ»ΠΈ ΠΎΠΏΠ΅ΡΠ°ΡΠΈΠΉ, ΡΠΎ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠ° ΠΌΠΎΠΆΠ΅Ρ ΠΏΠΎΠΌΠΎΡΡ Π·Π°ΠΌΠ°ΡΠΊΠΈΡΠΎΠ²Π°ΡΡ ΡΡΠ°ΠΌΡ ΠΈ ΡΠ΄Π΅Π»Π°ΡΡ ΠΆΠΈΠ²ΠΎΡΠΈΠΊ ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°ΡΠ΅Π»ΡΠ½ΡΠΌ ΠΈ Π°ΠΊΠΊΡΡΠ°ΡΠ½ΡΠΌ.
Π ΠΈΡΡΠ½ΠΊΠΈ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ Ρ Π΄Π΅Π²ΡΡΠ΅ΠΊ
ΠΡΠ»ΠΈ Π³ΠΎΠ²ΠΎΡΠΈΡΡ ΠΎ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠ΅ ΡΠΈΡΡΠ½ΠΊΠΎΠ², ΡΠΎ ΡΠ°ΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ Ρ Π΄Π΅Π²ΡΡΠ΅ΠΊ Π±ΠΎΠ»Π΅Π΅ ΠΈΠ·ΡΡΠ½ΡΠ΅, Π½Π΅ΠΆΠ½ΡΠ΅ ΠΈ ΡΡΠΊΠΈΠ΅, ΡΠ΅ΠΌ Ρ ΠΌΡΠΆΡΠΈΠ½. ΠΠ°ΠΈΠ±ΠΎΠ»Π΅Π΅ ΠΏΠΎΠΏΡΠ»ΡΡΠ½Ρ ΡΡΠ΅Π΄ΠΈ ΠΏΡΠ΅Π΄ΡΡΠ°Π²ΠΈΡΠ΅Π»ΡΠ½ΠΈΡ ΠΏΡΠ΅ΠΊΡΠ°ΡΠ½ΠΎΠ³ΠΎ ΠΏΠΎΠ»Π° ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ ΠΏΡΠΈΡ, ΠΆΠΈΠ²ΠΎΡΠ½ΡΡ , ΡΠ²Π΅ΡΠΎΠ², ΡΠ΅ΡΠ΄Π΅Ρ ΠΈ Ρ.Π΄. ΠΠ΅ΡΠ΅Π΄ΠΊΠΎ Π²ΡΡΡΠ΅ΡΠ°ΡΡΡΡ ΠΈ Π½Π°Π΄ΠΏΠΈΡΠΈ, ΡΠ²ΡΠ·Π°Π½Π½ΡΠ΅ Ρ ΠΊΠ°ΠΊΠΈΠΌΠΈ-ΡΠΎ Π»ΠΈΡΠ½ΡΠΌΠΈ ΡΠΎΠ±ΡΡΠΈΡΠΌΠΈ ΠΈ Π±Π»ΠΈΠ·ΠΊΠΈΠΌΠΈ Π»ΡΠ΄ΡΠΌΠΈ, Π°ΡΠΎΡΠΈΠ·ΠΌΡ, ΡΠΈΡΠ°ΡΡ Π½Π° Π»Π°ΡΡΠ½ΠΈ, ΠΊΠΈΡΠ°ΠΉΡΠΊΠΎΠΌ, Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌ ΠΈ Π΄ΡΡΠ³ΠΈΡ ΡΠ·ΡΠΊΠ°Ρ . Π§Π°ΡΡΠΎ Π΄Π΅Π²ΡΡΠΊΠΈ Π²ΡΠ±ΠΈΡΠ°ΡΡ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ ΠΊΠΎΡΠ΅ΠΊ ΠΈΠ»ΠΈ Π΄ΡΡΠ³ΠΈΡ ΠΏΡΠ΅Π΄ΡΡΠ°Π²ΠΈΡΠ΅Π»Π΅ΠΉ ΡΠ΅ΠΌΠ΅ΠΉΡΡΠ²Π° ΠΊΠΎΡΠ°ΡΡΠΈΡ β ΠΏΠ°Π½ΡΠ΅Ρ, Π»Π΅ΠΎΠΏΠ°ΡΠ΄ΠΎΠ². ΠΠ΄Π½ΠΈΠΌ ΠΈΠ· ΡΠ°ΠΌΡΡ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΡ ΠΌΠΎΡΠΈΠ²ΠΎΠ² Π²ΡΠ΅Π³Π΄Π° ΠΎΡΡΠ°ΡΡΡΡ Π±Π°Π±ΠΎΡΠΊΠΈ. ΠΡΠ±ΠΎΡ ΡΠΈΡΡΠ½ΠΊΠ° Π·Π°Π²ΠΈΡΠΈΡ ΠΈΡΠΊΠ»ΡΡΠΈΡΠ΅Π»ΡΠ½ΠΎ ΠΎΡ ΡΠ°Π½ΡΠ°Π·ΠΈΠΈ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠ° Π΅Π΅ Π½ΠΎΡΠΈΡΠ΅Π»ΡΠ½ΠΈΡΡ.
Π Π°ΡΠΏΠΎΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠΈ Π½Π° ΠΏΡΠ·ΠΈΠΊΠ΅ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΡΠ°Π·Π½ΡΠΌ, Π½ΠΎ Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ ΡΠ°ΡΠΏΡΠΎΡΡΡΠ°Π½Π΅Π½Ρ ΡΠ΅ΡΡΡΠ΅ Π²Π°ΡΠΈΠ°Π½ΡΠ°:
- Π ΠΏΡΠ°Π²ΠΎΠΉ ΠΈΠ»ΠΈ Π»Π΅Π²ΠΎΠΉ Π²Π΅ΡΡ Π½Π΅ΠΉ ΡΠ°ΡΡΠΈ ΠΆΠΈΠ²ΠΎΡΠ°. Π§Π°ΡΠ΅ Π²ΡΠ΅Π³ΠΎ ΡΡΠΎ ΠΊΠΎΠΌΠ±ΠΈΠ½Π°ΡΠΈΠΈ ΠΈΠ· ΡΠ²Π΅ΡΠΎΠ², ΡΠ·ΠΎΡΠΎΠ², ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ ΠΆΠΈΠ²ΠΎΡΠ½ΡΡ . Π’Π°ΡΡΠΈΡΠΎΠ²ΠΊΠ° ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΊΠ°ΠΊ Π½Π΅Π±ΠΎΠ»ΡΡΠΎΠΉ, ΡΠ°ΠΊ ΠΈ ΠΊΡΡΠΏΠ½ΠΎΠΉ. Π ΡΡΠΎΠΌ ΠΌΠ΅ΡΡΠ΅ ΠΊΠΎΠΆΠ° Π½Π°ΠΈΠΌΠ΅Π½Π΅Π΅ ΠΏΠΎΠ΄Π²Π΅ΡΠΆΠ΅Π½Π° Π΄Π΅ΡΠΎΡΠΌΠ°ΡΠΈΠΈ.
- Π‘ΠΈΠΌΠΌΠ΅ΡΡΠΈΡΠ½ΠΎ ΡΠ°ΡΠΏΠΎΠ»ΠΎΠΆΠ΅Π½Π½ΡΠ΅ ΡΠΈΡΡΠ½ΠΊΠΈ ΡΠΏΡΠ°Π²Π° ΠΈ ΡΠ»Π΅Π²Π°. Π’Π°ΠΊΠΈΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎ Ρ ΠΎΡΠΎΡΠΎ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°ΡΡ ΡΠ΅Π»ΡΠ΅Ρ ΠΆΠΈΠ²ΠΎΡΠ°, Π½ΠΎ Π²ΡΠ±ΠΈΡΠ°ΡΡ ΠΈΡ Π½ΡΠΆΠ½ΠΎ ΠΎΡΡΠΎΡΠΎΠΆΠ½ΠΎ β ΠΎΠ½ΠΈ Π½Π΅ Π΄ΠΎΠ»ΠΆΠ½Ρ Π±ΡΡΡ ΡΠ»ΠΈΡΠΊΠΎΠΌ ΠΊΡΡΠΏΠ½ΡΠΌΠΈ.
- Π Π½ΠΈΠΆΠ½Π΅ΠΉ ΡΠ°ΡΡΠΈ ΠΆΠΈΠ²ΠΎΡΠ° β ΠΊΠ°ΠΊ ΠΏΡΠ°Π²ΠΈΠ»ΠΎ ΡΡΠΎ Π½Π°Π΄ΠΏΠΈΡΠΈ ΠΈΠ»ΠΈ Π³ΠΎΡΠΈΠ·ΠΎΠ½ΡΠ°Π»ΡΠ½ΠΎ ΡΠ°ΡΠΏΠΎΠ»ΠΎΠΆΠ΅Π½Π½ΡΠΉ ΡΠ·ΠΎΡ. Π§ΡΠΎΠ±Ρ ΡΠ°ΠΊΠ°Ρ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠ° Π²ΡΠ³Π»ΡΠ΄Π΅Π»Π° Π°ΠΊΠΊΡΡΠ°ΡΠ½ΠΎ, ΠΎΠ½Π° Π΄ΠΎΠ»ΠΆΠ½Π° Π±ΡΡΡ Π½Π΅Π±ΡΠΎΡΠΊΠΎΠΉ ΠΈ ΠΈΠ·ΡΡΠ½ΠΎΠΉ.
- ΠΠΎΠΊΡΡΠ³ ΠΏΡΠΏΠΊΠ°. ΠΠ»Ρ ΡΡΠΎΠ³ΠΎ ΠΎΠ±ΡΡΠ½ΠΎ Π²ΡΠ±ΠΈΡΠ°ΡΡ ΡΠ·ΠΎΡΡ ΠΈΠ»ΠΈ ΡΠ²Π΅ΡΠΎΡΠ½ΡΠ΅ ΠΌΠΎΡΠΈΠ²Ρ.
ΠΠ½Π°ΡΠ΅Π½ΠΈΠ΅ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΎΠΊ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅
Π’Π°ΡΡΠΈΡΠΎΠ²ΠΊΠ° ΠΌΠΎΠΆΠ΅Ρ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΡΠ»ΡΠΆΠΈΡΡ ΡΠΊΡΠ°ΡΠ΅Π½ΠΈΠ΅ΠΌ, Π½ΠΎ ΠΈ Π½Π΅ΡΡΠΈ Π² ΡΠ΅Π±Π΅ ΠΌΠ°ΡΡΡ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΈ. Π§Π΅ΠΌ ΡΠ»ΠΎΠΆΠ½Π΅Π΅ ΡΠΈΡΡΠ½ΠΎΠΊ, ΡΠ΅ΠΌ Π±ΠΎΠ»ΡΡΠ΅ ΠΈΠ΄Π΅ΠΉΠ½ΠΎΠ³ΠΎ Π·Π½Π°ΡΠ΅Π½ΠΈΡ Π² Π½Π΅Π³ΠΎ ΠΌΠΎΠΆΠ½ΠΎ Π²Π»ΠΎΠΆΠΈΡΡ. Π Π°ΡΡΠΌΠΎΡΡΠΈΠΌ ΡΠ°ΠΌΡΠ΅ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΠ΅ ΡΡΠ΅Π΄ΠΈ Π΄Π΅Π²ΡΡΠ΅ΠΊ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ.
Π’Π°ΡΡΠΈΡΠΎΠ²ΠΊΠ° Π² ΡΠΎΡΠΌΠ΅ ΡΠ²Π΅ΡΠΊΠ° β ΡΡΠΎ ΡΠΈΠΌΠ²ΠΎΠ» ΠΊΡΠ°ΡΠΎΡΡ, Π±Π»ΠΈΠ·ΠΎΡΡΠΈ Π΅Π΅ Π½ΠΎΡΠΈΡΠ΅Π»ΡΠ½ΠΈΡΡ Ρ Π²Π΅Π»ΠΈΠΊΠΎΠ»Π΅ΠΏΠΈΠ΅ΠΌ ΠΏΡΠΈΡΠΎΠ΄Ρ. Π Π°Π·Π½ΡΠ΅ ΡΠ²Π΅ΡΡ Π² ΡΠ°Π·Π½ΡΡ ΠΊΡΠ»ΡΡΡΡΠ°Ρ Π½Π΅ΡΠ»ΠΈ ΡΠ°Π·Π½ΡΠ΅ Π·Π½Π°ΡΠ΅Π½ΠΈΡ, ΠΏΠΎΡΡΠΎΠΌΡ ΠΎΠ΄Π½ΠΎ ΠΈ ΡΠΎ ΠΆΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ Π²ΠΎΡΠΏΡΠΈΠ½ΡΡΠΎ ΠΏΠΎ-ΡΠ°Π·Π½ΠΎΠΌΡ.
- Π ΠΎΠ·Π° β Π΅Π΅ Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅ Π·Π°Π²ΠΈΡΠΈΡ ΠΎΡ ΡΠ²Π΅ΡΠ°. Π’Π°ΠΊ, Π±Π΅Π»Π°Ρ ΡΠΎΠ·Π° ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π½ΠΎ ΡΠ²Π»ΡΠ΅ΡΡΡ ΡΠΈΠΌΠ²ΠΎΠ»ΠΎΠΌ ΡΠΈΡΡΠΎΡΡ, Π°Π»Π°Ρ β ΡΡΡΠ°ΡΡΠΈ ΠΈΠ»ΠΈ Π²Π»ΡΠ±Π»Π΅Π½Π½ΠΎΡΡΠΈ, ΡΠ΅ΡΠ½Π°Ρ ΡΠΎΠ·Π° ΠΎΠ·Π½Π°ΡΠ°Π΅Ρ Π²Π»Π°ΡΡΡ.
- ΠΠ΄ΡΠ²Π°Π½ΡΠΈΠΊ β ΠΊΠΎΠΊΠ΅ΡΠ»ΠΈΠ²ΡΠΉ, ΠΏΠΎΠ·ΠΈΡΠΈΠ²Π½ΡΠΉ ΠΈ Π»Π΅Π³ΠΊΠΈΠΉ ΡΠΈΡΡΠ½ΠΎΠΊ.
- ΠΠΈΠ»ΠΈΡ ΡΠΈΠΌΠ²ΠΎΠ»ΠΈΠ·ΠΈΡΡΠ΅Ρ ΡΠΏΠΎΠΊΠΎΠΉΡΡΠ²ΠΈΠ΅, Π½Π΅ΠΆΠ½ΠΎΡΡΡ, Π³Π°ΡΠΌΠΎΠ½ΠΈΡ.
- ΠΠΎΡΠΎΡ Π°ΡΡΠΎΡΠΈΠΈΡΡΠ΅ΡΡΡ Ρ Π±Π΅ΡΡΠΌΠ΅ΡΡΠΈΠ΅ΠΌ, ΠΆΠΈΠ·Π½ΡΡ, ΡΠΎΠ²Π΅ΡΡΠ΅Π½ΡΡΠ²ΠΎΠΌ.
- ΠΠ°ΠΊ β ΡΡΠΎ ΡΠΈΠΌΠ²ΠΎΠ» ΠΏΠ°ΠΌΡΡΠΈ, Π° ΡΠ°ΠΊΠΆΠ΅ ΠΊΡΠ°ΡΠΎΡΡ ΠΈ ΠΌΠΎΠ»ΠΎΠ΄ΠΎΡΡΠΈ.
ΠΡΠΈ Π²ΡΠ±ΠΎΡΠ΅ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΠΈ Π½ΡΠΆΠ½ΠΎ Π²Π½ΠΈΠΌΠ°ΡΠ΅Π»ΡΠ½ΠΎ ΠΏΠΎΠ΄ΠΎΠΉΡΠΈ ΠΊ Π²ΡΠ±ΠΎΡΡ ΡΠ²Π΅ΡΠ°, ΠΎΠ½ ΠΌΠΎΠΆΠ΅Ρ ΠΈΠ·ΠΌΠ΅Π½ΠΈΡΡ Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅ ΡΠΈΠΌΠ²ΠΎΠ»Π° Π½Π° ΠΏΡΠΎΡΠΈΠ²ΠΎΠΏΠΎΠ»ΠΎΠΆΠ½ΡΠΉ.
Π’Π°ΡΡΠΈΡΠΎΠ²ΠΊΠΈ Ρ ΠΆΠΈΠ²ΠΎΡΠ½ΡΠΌΠΈ ΠΎΠ±ΡΡΠ½ΠΎ ΡΠ²ΡΠ·Π°Π½Ρ Ρ Π»ΠΈΡΠ½ΡΠΌΠΈ ΠΊΠ°ΡΠ΅ΡΡΠ²Π°ΠΌΠΈ Π΅Π΅ ΠΎΠ±Π»Π°Π΄Π°ΡΠ΅Π»ΡΠ½ΠΈΡΡ.
- ΠΠΎΡΠΊΠ° ΡΠΈΠΌΠ²ΠΎΠ»ΠΈΠ·ΠΈΡΡΠ΅Ρ Π½Π΅Π·Π°Π²ΠΈΡΠΈΠΌΠΎΡΡΡ, Π·Π°Π³Π°Π΄ΠΎΡΠ½ΠΎΡΡΡ, ΠΊΡΠ°ΡΠΎΡΡ ΠΈ ΠΈΠ·ΡΡΠ½ΠΎΡΡΡ Ρ ΠΎΠ·ΡΠΉΠΊΠΈ.
- ΠΠ°Π½ΡΠ΅ΡΠ° Π±Π»ΠΈΠ·ΠΊΠ° ΠΊ ΠΊΠΎΡΠΊΠ΅, Π½ΠΎ Π΅Π΅ Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅ ΡΠ²ΡΠ·Π°Π½ΠΎ ΡΠΊΠΎΡΠ΅Π΅ Ρ Ρ ΠΈΡΡΠΎΡΡΡΡ, ΡΠΏΠΎΡΡΡΠ²ΠΎΠΌ, ΠΆΠ΅Π½ΡΡΠ²Π΅Π½Π½ΠΎΡΡΡΡ.
- Π§Π΅ΡΠΈΡΡΠΊΠΈΠΉ ΠΊΠΎΡ, Π½Π°ΠΏΡΠΎΡΠΈΠ², ΠΎΠ·Π½Π°ΡΠ°Π΅Ρ Π΄ΠΎΠ±ΡΠΎΡΡ, Π²Π΅ΡΠ΅Π»ΡΠ΅, ΠΎΡΠΊΡΡΡΠΎΡΡΡ.
- ΠΠ΄ΠΈΠ½ΠΎΡΠΎΠ³ β ΡΡΠΎ ΡΠΈΠΌΠ²ΠΎΠ» Π½Π΅Π²ΠΈΠ½Π½ΠΎΡΡΠΈ, ΡΠΈΡΡΠΎΡΡ.
Π§Π°ΡΡΠΎ Π΄Π»Ρ ΡΠΊΡΠ°ΡΠ΅Π½ΠΈΡ ΠΆΠΈΠ²ΠΎΡΠΈΠΊΠ° Π΄Π΅Π²ΡΡΠΊΠΈ Π²ΡΠ±ΠΈΡΠ°ΡΡ Π½Π°ΡΠ΅ΠΊΠΎΠΌΡΡ ΠΈΠ»ΠΈ ΠΏΡΠ΅ΡΠΌΡΠΊΠ°ΡΡΠΈΡ ΡΡ, ΡΡΠΎ ΡΠ°ΠΊΠΆΠ΅ ΡΠ²ΡΠ·Π°Π½ΠΎ Ρ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΎΠΌ Π΄Π΅Π²ΡΡΠΊΠΈ. Π’Π°ΠΊΠΈΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ ΡΠ°ΡΡΠΎ ΠΎΠ·Π½Π°ΡΠ°ΡΡ ΠΊΠ°ΡΠ΅ΡΡΠ²Π° ΠΎΠ±Π»Π°Π΄Π°ΡΠ΅Π»ΡΠ½ΠΈΡΡ, ΡΠ²ΡΠ·Π°Π½Π½ΡΠ΅ Ρ ΠΈΠ½ΡΠ΅Π»Π»Π΅ΠΊΡΠΎΠΌ: ΠΌΡΠ΄ΡΠΎΡΡΡ, Ρ ΠΈΡΡΠΎΡΡΡ ΠΈ Π΄ΡΡΠ³ΠΈΠ΅.
- ΠΠΌΠ΅Ρ β ΡΠΈΠΌΠ²ΠΎΠ» ΠΌΡΠ΄ΡΠΎΡΡΠΈ ΠΈ Π²Π»Π°ΡΡΠΈ.
- Π―ΡΠ΅ΡΠΈΡΠ° ΠΎΠ»ΠΈΡΠ΅ΡΠ²ΠΎΡΡΠ΅Ρ Ρ ΠΈΡΡΠΎΡΡΡ ΠΈ Π»ΠΎΠ²ΠΊΠΎΡΡΡ.
- ΠΠ°ΡΠΊΠ° ΠΎΠ±ΡΡΠ½ΠΎ ΡΠ²ΡΠ·ΡΠ²Π°ΡΡ Ρ Π±ΠΎΠ³Π°ΡΡΡΠ²ΠΎΠΌ, ΠΌΡΠ΄ΡΠΎΡΡΡΡ ΠΈ ΠΌΠ°Π³ΠΈΠ΅ΠΉ.
- ΠΠ°Π±ΠΎΡΠΊΠ°, Π½Π°ΠΎΠ±ΠΎΡΠΎΡ, Π»Π΅Π³ΠΊΠΈΠΉ ΠΈ Π½Π΅ΠΆΠ½ΡΠΉ ΡΠΈΡΡΠ½ΠΎΠΊ, ΡΠΈΠΌΠ²ΠΎΠ»ΠΈΠ·ΠΈΡΡΡΡΠΈΠΉ ΠΊΡΠ°ΡΠΎΡΡ, ΠΆΠ΅Π½ΡΡΠ²Π΅Π½Π½ΠΎΡΡΡ, Π³ΡΠ°ΡΠΈΡ.
- ΠΠΎΠΆΡΡ ΠΊΠΎΡΠΎΠ²ΠΊΠ° β ΡΠΈΠΌΠ²ΠΎΠ» ΡΠ°Π΄ΠΎΡΡΠΈ, Π»ΡΠ±Π²ΠΈ ΠΈ ΡΠ΄Π°ΡΠΈ.
Π§Π°ΡΡΠΎ Ρ Π΄Π΅Π²ΡΡΠ΅ΠΊ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅ ΠΌΠΎΠΆΠ½ΠΎ ΡΠ²ΠΈΠ΄Π΅ΡΡ ΡΠ°ΡΡΠΈΡΠΎΠ²ΠΊΡ Ρ ΠΏΡΠΈΡΠ΅ΠΉ. ΠΡ ΠΎΠ±ΡΡΠ½ΠΎ ΡΡΠΈΡΠ°ΡΡ ΡΠΈΠΌΠ²ΠΎΠ»ΠΎΠΌ ΡΠ²ΠΎΠ±ΠΎΠ΄Ρ, Π»Π΅Π³ΠΊΠΎΡΡΠΈ, ΠΈΠ½ΠΎΠ³Π΄Π° β ΡΠ²ΡΠ·ΠΈ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° Ρ ΠΠΎΠ³ΠΎΠΌ.
- ΠΠ°ΡΡΠΎΡΠΊΠ° ΡΠΈΠΌΠ²ΠΎΠ»ΠΈΠ·ΠΈΡΡΠ΅Ρ ΠΌΠΎΠ»ΠΎΠ΄ΠΎΡΡΡ, ΡΠ΄Π°ΡΡ ΠΈ Π»ΡΠ±ΠΎΠ²Ρ.
- Π§Π°ΠΉΠΊΠ° β ΡΠΈΠΌΠ²ΠΎΠ» ΡΠ²ΠΎΠ±ΠΎΠ΄Ρ ΠΈ Π½Π΅Π·Π°Π²ΠΈΡΠΈΠΌΠΎΡΡΠΈ.
- ΠΠ΅Π±Π΅Π΄Ρ β ΡΡΠΎ ΠΎΠ±ΡΠ΅ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΉ ΡΠΈΠΌΠ²ΠΎΠ» Π²Π΅ΡΠ½ΠΎΡΡΠΈ, Π»ΡΠ±Π²ΠΈ, Π½Π΅ΠΆΠ½ΠΎΡΡΠΈ.
ΠΠΎΡΠ°Π·Π΄ΠΎ ΠΏΡΠΎΡΠ΅ Π΄Π΅Π»ΠΎ ΠΎΠ±ΡΡΠΎΠΈΡ Ρ Π½Π°Π΄ΠΏΠΈΡΡΠΌΠΈ β ΠΈΡ ΡΠΌΡΡΠ» ΠΏΠΎΠ½ΡΡΡ Π΄ΠΎΠ²ΠΎΠ»ΡΠ½ΠΎ ΠΏΡΠΎΡΡΠΎ. ΠΠΎ Π΅ΡΠ»ΠΈ Π²Ρ Π²ΡΠ±ΠΈΡΠ°Π΅ΡΠ΅ Π½Π°Π΄ΠΏΠΈΡΡ Π½Π° ΠΈΠ½ΠΎΡΡΡΠ°Π½Π½ΠΎΠΌ ΡΠ·ΡΠΊΠ΅, ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎ Π½Π° ΠΈΠ΅ΡΠΎΠ³Π»ΠΈΡΠΈΡΠ΅ΡΠΊΠΎΠΌ, ΡΠ»Π΅Π΄ΡΠ΅Ρ Π²Π½ΠΈΠΌΠ°ΡΠ΅Π»ΡΠ½ΠΎ ΠΏΠΎΠ΄ΠΎΠΉΡΠΈ ΠΊ Π²ΡΠ±ΠΎΡΡ ΡΡΠΈΡΡΠ°, ΠΎΠ±ΡΠ°ΡΠ°Ρ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ Π½Π° ΠΊΡΠ°ΡΠΎΡΡ, Π½ΠΎ ΠΈ Π½Π° ΡΠ°ΡΡΠΈΡΡΠΎΠ²ΠΊΡ Π·Π°ΠΏΠΈΡΠ΅ΠΉ.
Π ΠΈΡΡΠ½ΠΎΠΊ ΠΈΠ»ΠΈ Π½Π°Π΄ΠΏΠΈΡΡ Π½Π° ΠΆΠΈΠ²ΠΎΡΠ΅? ΠΡΠ±ΠΎΡ ΡΠ°ΡΡ Π·Π°Π²ΠΈΡΠΈΡ ΡΠΎΠ»ΡΠΊΠΎ Π»ΠΈΡΡ ΠΎΡ Π²Π°Ρ! ΠΠ»Π°Π²Π½ΠΎΠ΅ β ΡΡΠΎΠ±Ρ ΠΎΠ½ Π±ΡΠ» ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΡΠΉ!
90000 Tattoos on the Stomach — 170 Photos & Designs of Belly Tattoos 90001 90002 Tattoos on the flat and tightened belt always look gracefully and sexually. However, due to essential restrictions very few people are able to afford similar beauty. In article, along with a selection of a photo and sketches of tattoos on a stomach, we will tell how to choose body pictures for a difficult part of the body. 90003 90002 Female tattoos in the bottom of a stomach often are discussed in various communities and social networks devoted to body.Really, it is rather good choice for the girl who wears short outerwear and by that shows the tattoo. 90003 90002 But it is necessary to say a few words about minuses of the tattoo on a stomach which first of all concern women. 90003 90008 MALE TATTOOS ON STOMACH 90009 90002 A lot of men choose the big images and plots in spite of the fact that the stomach is one of painful places for tattoo. The color scale can be various: from bright paints to shades. In body pictures a strong sex represents courage, firmness and determination.90011 Unlike women, they apply tattoos on the top part of a stomach, often prolonging to a breast, a back and armpits. Symbolic, Gothic images, inscriptions, predators look great. It turns out originally when the tattoo is placed on all square from a breast to a stomach bottom on the one side. 90003 90002 Men often choose a body picture of a skull, spiders and other insects are rarely. The big part of a stomach disposes of setting various plots: military duels, mythical heroes, and also some army images.However, you should be careful with such signs: a missile with barbed wire and blood group can only be stuffed with «grandfathers» according to army customs. 90003 90008 TATTOOS ON STOMACH FOR GIRLS 90009 90002 Female tattoos look distinguished and mysteriously. They are placed in the bottom of a stomach, on each side, around a navel, rarely from above depending on the composition. The fair sex generally stops on small images, at most on a pattern, an ornament, a flower garland or a branch of an Oriental cherry.The very few women fill too volume tattoos on a stomach. 90003 90002 The cat or panther looks mysteriously and sexually, flowers with patterns are refined, swallows are the symbol of devotion and a family. The body pictures represent simplicity, reflect feature of character and temperament. The girls often fill bows, stars, animals, a firebird, butterflies, poppies, a clover, and also lizards and ladybugs on the sideways or in the bottom of a stomach. Various hieroglyphs, quotes with aphorisms which make deep meaning are desirable.The pad of a cat is perceived as a mascot and means good luck. 90003 90002 It is possible to place emphasis on a beautiful figure if the images picked up correctly and it tattooed from a navel to a side and a waist. The flexible branch with bright colors or an intricate pattern will emphasize a thin waistline and the tightened tummy. Snakes and lizards, zodiac signs are also desirable. Symmetric patterns which are against each other and can be different color shades look beautifully and mysteriously as well.Original girls choose sketches of a tattoo on a stomach of male subject: weapon. 90003 90002 The patterns around a navel look unusually and attractively, especially, if it is decorated with piercing. The tattoos in the form of a belt or around a waist turn out effectively, especially climbers with flowers or a snake. 90003 90008 WHAT RESTRICTIONS EXIST FOR TATTOOS ON STOMACH FOR GIRLS? 90009 90002 The body picture will look beautifully only on the flat and tightened belt. 90011 Drawing images is painful enough.To do anesthesia, and also to accept alcohol and the anesthetizing drugs categorically is not recommended. It can complicate the procedure, the wound will heal for a long time, and the picture can turn pale and with blurred contours. 90003 90002 Stomach muscles are soft therefore it is hard to put complex compositions and patterns. It is better to select the simple image or an ornament. Pictures where there are fine details, and also the Celtic and Polynesian styles will not approach. It concerns male tattoos on a stomach also.90003 90002 Increases in weight and age changes of skin of a stomach lead to distortion of the pictures. Operations can also damage the image therefore in case your appendicitis has not been removed yet, it is better not to do a tattoo in it the place. 90003 90002 At pregnancy and after the delivery including Cesarean section, the body picture can stretch, break, extensions will be visible. 90003 90002 It is difficult to correct such defects: it is labor-consuming, sick and expensively. In certain cases, after the birth of the child, tattoo in the bottom of a navel can be not changed.It is the best for girls to do a tattoo on a stomach after the delivery when they do not plan to become pregnant any more. 90003 90002 Pluses of tattoos on this part of a body are small, but powerful. It is possible to disguise birthmarks and scars with their help; white pictures are especially beautifully. They are not striking, look esthetically and womanly, but are distinctly allocated on corporal skin color. 90003 90008 CARE OF BODY PICTURE 90009 90002 The wound after painting the tattoo heals 4-8 weeks, depending on careful handling of a tattoo and features of an organism.It is impossible to put on tight clothes not to remove the formed crust. There are not recommended to bend actively that muscles were not reduced and wounds did not open, and also to sleep on a stomach several weeks. It is advised not to work too much, to avoid dusty work, not to run or jump, not to walk needlessly upstairs. 90011 To keep the tattoo on the stomach beautiful and attractive for a long time, men and women need to watch: 90003 90045 90046 For health to avoid stressful situations; 90047 90046 For weight not to gather extra kilos and not to lose weight; 90047 90046 To lead a healthy lifestyle; 90047 90046 To play sports.90047 90054 90008 Read more: 90009 90008 Yo, check the video! 90009 90059 90060 90011 90008 PHOTO OF TATTOO ON STOMACH 90009 90008 SKETCHES OF TATTOOS ON STOMACH 90009 [Adsp-pro-1] 90066 Share with friends 90067 .90000 The 7 Best & 6 Worst Places On Your Body To Get A Tattoo, According To Tattoo Artists 90001 90002 While you can obviously get ink anywhere you like, you may want to keep in mind that some areas of the body are not always the most ideal places for tattoos. Some are known for their tendency to stretch and warp. And others are more likely to fade, and no longer look the same, all thanks to the placement. 90003 90002 To ensure a tattoo will look good as the years go by, one of the most important things to consider is how much sun exposure the area might receive.»While you can always protect your tattoos with sunscreen, it may be a good idea to choose an area of ββyour body that’s usually covered up by clothes if you want your ink to stay looking fresh for years to come — especially if you’re getting a color other than black, «Leo Palomino, a tattoo artist at Atomic Tattoos in Orlando, tells Bustle. 90003 90002 When going for a colorful tattoo, «a location that does not get a lot of sun exposure is best for the longevity of the color, as sun exposure causes colors to fade,» Palomino says.»Light colored inks will fade more quickly than darker colors will.» 90003 90002 The size and shape of the tattoo can also affect how great it’ll look in ten or twenty years, so you’ll want to discuss all of these factors with your tattoo artist, before getting inked. They’ll help you wade through all the pros and cons, and help you choose the right tattoo location. Here are a few of the best and worst locations, when it comes to the longevity of a tattoo, according to experts. 90003 90002 If you’ve been daydreaming about getting a tattoo on your upper chest, it may be a good idea to go for the outer collarbone.This area tends «to be least exposed to the sun,» Palomino says, since it’s easily covered up by shirts and scarves. Unlike the middle part of your chest, it’s not as likely to bake in direct sunlight, and fade as a result. 90003 90002 It’s also an area where skin is least likely to stretch as you get older, which is another factor that can affect how a tattoo holds up over time. The skin on your collarbone tends to stay right where it is, making it a great place for a long-lasting tattoo. 90003 90002 If you’re always out in the sun, you may want to avoid getting a tattoo on your outer arm, and instead choose a more protected spot.»Your inner forearm is practically immune when it comes to sun exposure,» Palomino says. Without the constant onslaught of UV rays — which break down the ink and cause it to fade — tattoos in this location tend to stay looking fresh. 90003 90002 The upper inner arm is also a great spot, and has the added benefit of being easily covered and protected by shirt sleeves, so you can keep it even safer. 90003.90000 150 Beautiful Stomach Tattoos For Men, Women (July 2020) 90001 90002 Thinking about getting a lower stomach tattoo? In this guide, we’ll share everything you need to know about tattoos on the abdomen — from the pain level to design options. 90003 90002 90005 90005 90003 90002 In the gallery below, you’ll find plenty of inspiration for your design — so do not forget to check it out! 90003 90010 Lower abdomen tattoo types 90011 90012 Full stomach tattoos 90013 90002 A large design will likely cover your whole stomach area.A full stomach tattoo allows for a lot of creativity when coming up with the design. 90003 90002 You can include a lot of elements and render them in high detail. 90003 90002 90019 90019 90003 90012 Small stomach tattoos 90013 90002 Little designs can be located anywhere on the stomach. 90003 90002 90027 90027 90003 90002 You could also consider two (or more) small designs arranged in a symmetrical pattern. For instance, a small tattoo close to each hip bone will create a sense of balance.90003 90002 Remember that you can always start out small and then add to your tattoo at a later date. This will require some planning, as you’ll want the whole design to be cohesive. 90003 90002 To make sure the additions do not stand out as separate elements, use elements of the same theme. You might also want to go to the same tattoo artist. 90003 90002 For instance, lower belly tattoos can be expanded upwards, and small stomach tattoos close to the hip can be extended sideways. 90003 90012 Side stomach tattoos 90013 90002 If you place a tattoo on the side of your stomach (above the hip bone), you’re getting a side stomach tattoo.Larger of these can wrap around your side or even onto your lower back. 90003 90002 90043 90043 90003 90002 The stomach provides a relatively large surface area for tattoos. So, even if the design is not a full stomach tattoo, it can still include a high amount of detail. 90003 90010 Popular designs for stomach tattoos 90011 90002 Whether your tattoo is big or small, there are tons of options for stomach tattoo designs that will be both meaningful and eye-catching. 90003 90012 Flowers 90013 90002 A flower stomach tattoo is one of the most popular choices.Flowers are a very common motif in tattoos in general: they look great and they can represent various symbolic meanings. 90003 90002 As you browse through flower designs, you’ll notice that red roses are definitely among the top choices. 90003 90002 90059 90059 90003 90002 They look particularly impressive when rendered in the 3D style — with a lot of shading an full realism. 90003 90002 Other flowers you’ll often see in tattoos include cherry blossoms, lilies, and lotuses. Each of these has a specific set of meanings, so you can add a symbolic aspect to your tattoo.90003 90002 90067 90067 90003 90002 For more information about flower designs and links to even more specific articles, check out this post. 90003 90012 Animals 90013 90002 Like flowers, animals each have a meaning in the symbolism of tattoos. 90003 90002 If you’re considering an animal stomach tattoo, you probably already have a specific animal in mind. 90003 90002 It can be interesting to read up on the symbolism and history of this animal in different cultures, to add another layer of meaning to your design.90003 90002 90081 90081 90003 90002 If you’re willing to go for a full-stomach tattoo, you’ll be able to include a lot more detail in your design. 90003 90002 90087 90087 90003 90002 In fact, most animal tattoos on the stomach are large — taking advantage of the space available in this location to create some impressive-looking body art. 90003 90002 Alongside lions and tigers, deer, owls, bears, snakes, and wolves all make for popular stomach tattoo subjects. Mythical creatures, such as dragons and phoenixes, also provide a lot of inspiration.90003 90002 90095 90095 90003 90012 Tribal 90013 90002 In recent years, the trend with tribal tattoos has moved towards imitating markings used by real tribes. 90003 90002 90103 90103 90003 90002 In the 90s and early 2000s ‘tribal’ meant semi-abstract black shapes, rendered with spiky lines. Contemporary tribal tattoos, meanwhile, take inspiration from tribal markings of Polynesian tribes, Aztecs, and other ethnic groups that practiced body modification. 90003 90002 Interestingly, every element of these complex designs has a meaning and a purpose.By combining different patterns and shapes, you can create a truly meaningful tattoo. 90003 90002 Tribal designs make for popular stomach tattoos for men, in particular. 90003 90002 Check out this article on tribal tattoos — you’ll find tons of ideas and inspiration, as well as some historical background to tribal tattooing and links to specific tribes. 90003 90012 Anchor 90013 90002 Anchor tattoos look great just about anywhere on the body, and the lower abdomen is no exception. 90003 90002 The use of anchors in designs dates back to when tattoos were the domain of sailors, and anchors are common elements in old school tattoos.They’re a popular choice among stomach tattoos for guys and girls alike. 90003 90002 90121 90121 90003 90002 In tattoo symbolism, anchors have a range of meanings. They primarily stand for strength, stability, and protection — after all, a ship drops anchor for safety. 90003 90002 Anchors can also mean close ties with a particular place or person — indicating that they are your ‘safe place’. Furthermore, they are the symbol of people who believe in being grounded and down-to-earth. 90003 90002 For an even more meaningful tattoo, consider adding flowers, ribbons, or writing (such as names) to the anchor design.90003 90012 Feather 90013 90002 Feathers make for great small tattoos, ideal for anywhere on the stomach. Because they’re often curved, they can be used to accentuate the natural contours of your anatomy. 90003 90002 90135 90135 90003 90002 A feather tattoo on the stomach can have lots of meanings. The key concepts it represents are freedom, courage, spirituality, and hope. 90003 90002 Not everyone knows that feathers of specific birds hold particular meanings, especially in Native American culture.90003 90002 For example, swallow feathers represent peace and love. Eagle feathers — sacred to Native Americans — stand for strength, leadership, and courage. Dove feathers are symbols of peace and kindness, while raven feathers refer to knowledge and creation. 90003 90002 90145 90145 90003 90002 Peacock feathers, representing pride and beauty, are particularly noteworthy as they appear most often in tattoos. Their vibrant colors make for eye-catching designs. 90003 90002 For more images of feather designs and background on tattoo symbolism, check out this article.90003 90012 Hearts and locks 90013 90002 A heart in a tattoo carries obvious meanings of love, affection, and emotions. 90003 90002 Heart-shaped locks are equally popular. These designs involve a decorative padlock in the shape of a heart, often complimented with flowers or a set of wings. 90003 90002 90159 90159 90003 90002 90163 90163 90003 90002 By placing the lock in the middle and adding symmetrical decorative elements on either side, you end up with a balanced design. These are usually placed with the keyhole in line with the belly button, above or below.90003 90012 Mandala 90013 90002 Mandalas are intricate, usually circular abstract patterns with lots of detail. In tattoos, they are usually composed of thin, black lines, often complimented with symmetrical patterns of color. 90003 90002 90173 90173 90003 90002 They represent the universe in Buddhist and Hindu symbolism. In psychology, mandalas are sometimes symbols of the search for completeness and unity. 90003 90002 Because of their circular shape, most people place their mandala tattoos in the center of the stomach.However, they can also work great as side tattoos, covering part of the stomach and extending around onto the lower back. 90003 90012 Writing 90013 90002 Quotes and names are often added to other elements in a design, although they also work great on their own. 90003 90002 Once you have picked out the quote for your stomach tattoo, you’ll also need to decide on the font. Women often pick italics or handwritten fonts, as these make for more feminine, delicate tattoos. 90003 90002 90187 90187 90003 90002 Gothic-style writing is another popular choice, with a slightly heavier feel.90003 90002 90193 90193 If your quote is short, you could make it stand out more by adding other elements. Flowers and birds appear most often, though of course there’s no limit as to what you could choose. 90003 90002 90197 90197 90003 90010 Pain level for stomach tattoos 90011 90002 The pain level for stomach tattoos ranges from high to severe. How much it hurts will depend on your individual pain threshold, the exact location, and the size and type of the tattoo itself. 90003 90002 Numbing creams for tattoos are available on the market.However, not every tattoo artist is on board with using these, as they may alter the tattooing process and the quality of the results. 90003 90002 If you’d like to use a numbing cream anyway, talk to your tattoist first. They will be able to advise you on the efficacy of a numbing cream for your chosen design and location. 90003 90002 The tattoo artists that do use numbing creams will have preferred brands for different tattoos. Not every numbing cream will work as well for various designs, and a professional tattooist is best placed to decide on which one to use.90003 90002 For this reason, you should not just purchase a numbing cream online or in a pharmacy and turn up already wearing it. There’s a good chance the tattoo artist would send you home and reschedule the appointment, as they have no way of knowing how the cream you used will affect their work. 90003 90002 If you’re really worried about how you’ll handle the pain of a stomach tattoo, consider starting out with a really small design. Rather than committing to a large tattoo and prolonged pain, start with a small symbol and see how you take it.90003 90002 You can then add to the design at a later date, once you’re confident the pain will not be a problem. 90003 90002 Very simple designs are another way of testing your pain tolerance. The more detail there is in a design, the longer it will take to complete — and the more painful it will be as the process goes on. 90003 90002 90219 90219 90221 90221 90223 90223 90225 90225 90227 90227 90229 90229 90231 90231 90233 90233 90235 90235 90237 90237 90239 90239 90241 90241 90243 90243 90245 90245 90247 90247 90249 90249 90251 90251 90253 90253 90255 90255 90003 .90000 π Machine Gun Kelly’s Tattoos 90001 90002 Rating: 90003 7.5 90004/10. From 10 votes. 90005 90002 90007 Please wait … 90005 90009 90002 Colson Baker known by his stage name Machine Gun Kelly (MGK), is an US-American rapper and actor from Houston, Texas. MGK started his musician career in 2006, releasing a mixtape «Stamp of Approval». He released his debut studio album «Lace Up» in 2012.Two following studio albums «General Admission» and «Bloom» were released in 2015 and 2017. MGK is well known for his singles such as «Wild Boy», «Invincible», «Stereo», «Hold On (Shut Up)» as well as «Till I Die» «A Little More» and «Bad Things». For his great performance MGK has won several award like «Ohio Hip Hop Awards», «Radio Disney Music Awards», «iHeartRadio Music Awards», «MTV Europe Music Award» and «Billboard Music Awards». Moreover, he appeared on television by the shows «Catfish», «Ridiculousness» and «Roadies».MGK also played some roles in the movies like «The Land», «Bird Box», «The Dirt» and «Captive State». 90005 90002 Almost whole body of Machine Gun Kelly is covered with various tattoos. On his chest and stomach, you will find such a tattoos like peace symbol on the brick wall, the inscriptions «LOCALS ONLY», «Est. 1990 «and» Keep your coins, I want change «, as well as tattooed spider, sand watch and the man with wings and question mark on his sleeveless shirt. On the bottom of his stomach there is another inscription which says «Almost Famous».90005 90014 90015 90002 On his right shoulder MGK tattooed the sign of the route «71 North» and his area code «216 east». 90005 90018 90015 90002 MGK inked on the right side of his body the picture of the accident, where he was hit by bus. You will also find here some words like «SEX DRUGS AND ROCK & ROLL», «Fuck fame it killed all my favorite entertainers», «City Boy» and the number 557 and 33. 90005 90022 90015 90002 Moreover, MGK inked the Salvador Dali’s famous artwork «The Temptation of Saint Anthony» and the letters «MGK» on his back.90005 90026 90015 90028 90015 90030 90015 90002 Furthermore, on his right knee you’ll find a cannabis tattoo surrounded by the quote from John Muir which says «And into the woods I go, to lose my mind and find my soul.» Bellow, there is another tattooed word — «PRISONER». 90005 90034 90015 90036 90037 Tattoo appreciation ππ 90005 90002 πΈ; rachel_kaplan # MGK # Machinegunkelly # Xx #Est #iHeartRadio pic.twitter.com/0ZJ6CeTitf 90005 90002 — ππ₯ (@estloveXX) May 25 2017 90005 90015 90002 90045 90046 90005 .